A Quote by Irving Penn

The printed page seems to have come to something of a dead end for all of us. — © Irving Penn
The printed page seems to have come to something of a dead end for all of us.
Today, in 2011, if you go and buy a color laser printer from any major laser printer manufacturer and print a page, that page will end up having slight yellow dots printed on every single page in a pattern which makes the page unique to you and to your printer. This is happening to us today. And nobody seems to be making a fuss about it.
The printed page transcends space and time. The printed page, the infinity of the book, must be transcended.
Which of us has not felt that the character we are reading in the printed page is more real than the person standing beside us?
The democratic world has come to a dead end; likewise, the communist world has come to a dead end. But the Unification Church is just beginning!
There are no dead-end jobs. There are no dead-end jobs. There are only dead-end people. Our current social philosophy, and the welfare state apparatus based on it, are creating more dead-end people.
I am a little old fashioned, and I love to have my scripts printed out. There is something magical about feeling the paper, making notes and page marks.
It's nice to see my work recognized as being worth something beyond the printed page, and it was very cool seeing Thanos up on the big screen.
I like to flip through play scripts, not just my own; there is something exciting about seeing printed language on a page that triggers responses in me.
All men who read escape from something else into what lies behind the printed page; the quality of the dream may be argued, but its release has become a functional necessity.
The whole problem with news on television comes down to this: all the words uttered in an hour of news coverage could be printed on a page of a newspaper. And the world cannot be understood in one page.
Yes, the fear of its blankness. At the same time, I kind of loved it. Mallarmé was trying to make the page a blank page. But if you're going to make the page a blank page, it's not just the absence of something, it has to become something else. It has to be material, it has to be this thing. I wanted to turn a page into a thing.
I think that concrete poetry seems to have, as far as I can see, come to a kind of a dead end. It doesn't seem to be going any further than it went in its high period of about five or six years ago.
We read five words on the first page of a really good novel and we begin to forget that we are reading printed words on a page; we begin to see images.
Like a word on a page that you’ve printed and read a million times, that suddenly looks strange or wrong, foreign. And you feel scared for a second, like you’ve lost something, even if you’re not sure what it is.
When we read, we are not looking for new ideas, but to see our own thoughts given the seal of confirmation on the printed page. The words that strike us are those that awake an echo in a zone we have already made our own—the place where we live—and the vibration enables us to find fresh starting points within ourselves
The printed page was like wine to me.
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