A Quote by Irving Penn
Liberman said to me, 'I must cut back on the work you do for Vogue. The editors don't like it. They say the photographs burn on the page . After some years, I began to understand that what they wanted of me was simply a nice, sweet, clean-looking image of a lovely young woman.
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I got into dialogue because my parents began taking me to see plays from when I was very young. Too young, often, to understand the play I was watching: Who's Afraid Of Virginia Woolf when I was nine years old; That Championship Season when I was ten years old. But I loved the sound of dialogue; it sounded like music to me and I wanted to imitate that sound.
My poor mum had a lot of problems with me around that time. I was young but I'd been working for years, so if she asked me to clean my room I'd say, 'You can't tell me what to do after I've worked a 12-hour day.' It gave me a power that no one that age should have.
Vince McMahon said to Triple H, 'Are you sure he's a heel? I don't know. He's funny.' He decided he wanted me to be a babyface and when they came to me they said, 'You can say no, but here's what we're looking at. Funkasaurus is the fastest way to be back on TV.'
Early on I was just a kid in a cowboy hat with a bunch of other guys in a room that were putting out some records. Now thank God, in the past 3 or 4 years, when.. it's really hard to burn an image of a face with a song these days. I think that the songs like 'Don't Happen Twice' and 'Young' were songs that helped me do that and I think that 'I Go Back'(did) that even more.
I do remember, one time, a man came to me after the students began to work in Mississippi and he said the white people were getting tired and they were getting tense and anything might happen. Well, I asked him "how long he thinks we had been getting tired"? I have been tired for 46 years and my parents was tired before me and their parents were tired, and I have always wanted to do something that would help some of the things I would see going on among Negroes that I didn't like and I don't like now.
You said we've got a new page. I figure I've got some say in what gets written on it. So I'm going to work on you. Last time around, you threw yourself at me.” “I did no such thing.” “Sure you did. But I can see I've got my work cut out for me this time. That's okay.” He skimmed his thumb over her knuckles before she jerked her hand free. “In fact, I think I'm going to enjoy it.” “I don't know why I waste my time trying to mend fences with you. You're as arrogant as you ever were.” “Just the way you like me, sweetheart.
And Father said, "Christopher, do you understand that I love you?" And I said "Yes," because loving someone is helping them when they get into trouble, and looking after them, and telling them the truth, and Father looks after me when I get into trouble, like coming to the police station, and he looks after me by cooking meals for me, and he always tells me the truth, which means that he loves me.
You don't believe it because you don't understand," he said hoarsely. "Prosper was different. He wasn't like other people. He might have hated me, but he loved me too. In his own way. He couldn't help it; not after raising me for all those years." When no one responded – when he saw nothing but expressions of disbelief on the faces around him – Cadel wailed, "He did! He did! I know he did! He only wanted to wreck my life because he wasn't a part of it!" And as sympathetic hands reached out towards him from every corner of the car, Cadel began to cry like someone whose heart was breaking.
The Miraculous Journey of Edward Tulane began with a friend giving me a rabbit doll - forgive me, Edward, for using that word; he doesn't like "doll" - for Christmas. I said, "Oh, he's lovely, what's his name?" And she said, "Edward." And a few days after I received the rabbit, who was dressed very handsomely in Edwardian kind of clothes, I saw him stripped of his finery and face down on the bottom of the ocean floor. Why? I don't know. But that's where his story began in my head.
There was some women in a café the other week that I was sat in, and she came up and she sat down with her mate and she was talkin' loudly goin' on about "oh the baby's lovely." They said it's got, er, lovely big eyes, er, really big hands and feet. Now that doesn't sound like a nice baby to me. I felt like sayin' it sounds like a frog. But I thought I don't know her, there's only so much you can say to a stranger. I don't know what kept me from sayin' it.
We [me and Alison McGhee] probably wouldn't have said that when we were writing the stories, but it is so apparent to me in the finished product. For me, looking at Bink, it's like looking at myself on the page in a way that I've never experienced with any other book that I've written.
Books help to form us. If you cut me open, you will find volume after volume, page after page, the contents of every one I have ever read, somehow transmuted and transformed into me just as my genes and the soul within me make me uniquely me, so I am the unique sum of the books I have read. I am my literary DNA.
Sweet, she thought. He must think I can't bear to hear him say it. That after all I have told him and after telling me how many feet I have, "goodbye" would break me to pieces. Ain't that sweet. "So long," she murmured from the far side of the trees.
I like having young assistants in my office; they have energy, and I spend time with them to make sure they understand what we're doing. By investing in them, I'm investing in the magazine. All over 'Vogue,' 'Teen Vogue,' and 'Men's Vogue,' there are people who have been through not only my office but also many other offices at 'Vogue.'
Barack Obama's said some very nice things and he says them well. But if you ask me, the reason that we're looking at somebody who is such an inexperienced senator, who has said some very pleasant but not especially sterling or innovative things, the reason that he's considered such a big deal is simply because he's black.
I don't have children, but my work life is as important to me as anything could be. I've dedicated a lot of time and energy and years to it. Some might say some of my childbearing years to it. In and of itself, my work is like a child to me. That is my reality.
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