A Quote by Irving Penn
A beautiful print is a thing in itself, not just a halfway house on the way to the page.
Related Quotes
Yes, the fear of its blankness. At the same time, I kind of loved it. Mallarmé was trying to make the page a blank page. But if you're going to make the page a blank page, it's not just the absence of something, it has to become something else. It has to be material, it has to be this thing. I wanted to turn a page into a thing.
There can be no halfway house, where Britain continues to be out of Europe in name but is still run by Europe. There can be no halfway house when it comes to rule-taking and law-making from the E.U., and there is an overwhelming sense of frustration that Britain is being taken advantage of by the E.U.
I read Animal House and I said, "I will burn down a house to be in this. I have to be in this movie." I read 1941 and I went, "Well, if Steven Spielberg likes it..." But it just wasn't on the page. It was a very big, unwieldy thing, and there were so many characters. It was fun to shoot, but I didn't know what the core of it was.
Today, in 2011, if you go and buy a color laser printer from any major laser printer manufacturer and print a page, that page will end up having slight yellow dots printed on every single page in a pattern which makes the page unique to you and to your printer. This is happening to us today. And nobody seems to be making a fuss about it.
I love a wild animal print. Not just a leopard print - I'm talking about a tiger or zebra print, too.
If you're a poet, you do something beautiful. I mean, you're supposed to leave something beautiful after you get off the page and everything. The ones you're talking about don't leave a single, solitary thing beautiful. All that maybe the slightly better ones do is sort of get inside your head and leave something there, but just because they do, just because they know how to leave something, it doesn't have to be a poem for heaven's sake. It may just be some kind of terribly fascinating, syntaxy droppings--excuse the expression. Like Manlius and Esposito and all those poor men.
You are wrong if you think that you can in any way take the vision and tame it to the page. The page is jealous and tyrannical; the page is made of time and matter; the page always wins.
The field is a halfway house, halfway between the detail of those intimately known places and the ignorance of a landscape view ... The essence of a field is that the cultural accommodates the natural there. The human being makes room for and makes use of those organisms that are not him. In that way the field is a poem to symbiosis, and a human contract with the natural.
Some people like just sitting down and being taken for a ride. That's a beautiful thing that fiction can do. But it's not the only thing. In television and film, people are ready to accept any kind of jump cut, but the slightest disturbance on the page ruffles their feathers.
Scoring from a metre out is just as beautiful as lobbing a goalkeeper from the halfway line.
Elizabeth Taylor has a big heart. She recently built a halfway house for girls who don't want to go all the way.
I think there are things that digital can't do as well as print thus far. Even an iPad is only 80% the size of a standard comics page, so the images are going to be smaller. You don't get your big, whopping two-page spreads.
You can't print everything and that's not good for filmmaking, because you wanna have as many options as possible and print as much as you can, but if you're going to shoot a film - an independent movie on film, the only way to really do it is to print your selects.
He was beastly tired, but it was hard to stop. One more book, he had told himself, then I'll stop. One more folio, just one more. One more page, then I'll go up and rest and get a bite to eat. But there was always another page after that one, and another after that, and another book waiting underneath the pile. I'll just take a quick peek to see what this one is about, he'd think, and before he knew he would be halfway through it.
I do everything halfway,
a thing of which adults disapprove,
but things done halfway
are deceptive, and in a class of
their own – for instance,
the sun is really twice its size.
Sometimes you lose your way; you walk in the twilight of a forest; and suddenly you see an old but a beautiful house. And that old mossy house is a good quotation! It is old because it has wisdom; it is beautiful because it gives you a hope!
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