A Quote by Irving Penn

I have always stood in awe of the camera. I recognize it for the instrument it is, part Stradivarius, part scalpel. — © Irving Penn
I have always stood in awe of the camera. I recognize it for the instrument it is, part Stradivarius, part scalpel.
I myself have always stood in the awe of the camera. I recognize it for the instrument it is, part Stradivarius, part scalpel.
The railway was part scalpel, part movie camera, slicing the city open, parading its inner workings at fifty frames per second. It was on the S-Bahn that she felt least abandoned, as if the act of travelling turned back the clock, and brought her nearer to the future she had lost.
My mind is in so many different places while we're shooting. Part of it is watching the performance, part of it is watching the camera, and part of it is thinking about the stuff that we have to get that day. It's always a pleasure watching, but you also take it for granted, when you're on the actual grind, making the show.
I do believe that a film like Ten could never have been made with a 35mm camera. The first part of the film lasts 17 minutes, and by the end of that part, the kid has totally forgotten the camera.
I always have loved the Stradivarius. My teacher, Josef Gingold, he had a Stradivarius. As a treat, he would put it under my chin and let me play a few notes, and I remember that feeling of the overtones, the complexity of the sound. It's like a great wine.
You don't want to be the guy whose back's to the camera in the emotional part of the movie. So, you have to be aware of the camera movement and what the camera's doing.
Growing up, the ukulele was always a respected instrument. It's a big part of our culture. It wasn't until I started traveling outside of Hawaii that I realized people didn't really consider the ukulele to be a real instrument.
If you have a Stradivarius and nobody to play it, it's just a Stradivarius. Or is it even that? It's nothing.
The camera is not the instrument. People are always the instrument.
Religion is not the biggest part of my life. I'm always playing baseball. But it's certainly a part of it, and having a faith in something. I've always worn a cross, and it's been a part of my game. It's always there with me.
Irresponsibility is part of the pleasure of all art; it is the part the schools cannot recognize.
As a director, you want to be really connected to every part of your set, from your actors all the way to your camera operators. Everybody is a part of the creative process, and if they feel like they're part of a team versus just being a tool, they're going to give you something special.
I think we've lost the idea that politicians are part of the humanities. And we think of them as part of a natural science tradition, and we don't expect them to have the contact with literature, with history, with the richness of descriptive language that the humanities have always stood for. And I think that's a great loss.
I ask my assistants if they're retarded all the time. When the camera is on you, of course, actors have the ability to make it real. For me, if I'm not talking, it is a problem. I have so much more respect for actors after being in front of the camera, and I realize that the hardest part is when you're not talking. Listening is harder than just acting. Listening is the hardest part.
For me, the lame part of the Sixties was the political part, the social part. The real part was the spiritual part.
I inherited a painting and a violin which turned out to be a Rembrandt and a Stradivarius. Unfortunately, Rembrandt made lousy violins and Stradivarius was a terrible painter.
This site uses cookies to ensure you get the best experience. More info...
Got it!