A Quote by Irving Stone

I thought art was dead rabbits hanging by their feet on a wall. I went to Italy and saw all the religious paintings, and they didn't move me all that much. Then someone invited me to see this van Gogh exhibit at the Rosenberg Gallery in San Francisco.
Someday my paintings will be hanging in the Louvre. [Vincent Van Gogh]
You see 6,000 times more tech companies in San Francisco than you see in Seattle. All the money is in San Francisco when you look at the venture fund maps. The PR is in San Francisco. The centricity of the industry is in San Francisco.
It may be a point of great pride to have a Van Gogh on the living room wall, but the prospects of having Van Gogh himself in the living room would put a great many devoted art lovers to rout.
Van Gogh was asked how he created such beautiful paintings. He said I dream my paintings and then I paint my dreams.
I had a Vincent van Gogh, a small Provençal landscape. We sold it. If you're going to have a van Gogh it should be a really good van Gogh.
What is drawing? It is working oneself through an invisible iron wall that seems to stand between what one feels and what one can do. - Vincent van Gogh, The Letters of Vincent van Gogh to His Brother
I left my heart in San Francisco, high on a hill, it calls to me. To be where little cable cars climb halfway to the stars, the morning fog may chill the air, I don't care. My love waits there in San Francisco, above the blue and windy sea, when I come home to you, San Francisco , your golden sun will shine for me.
Anyone who doesn't have a great time in San Francisco is pretty much dead to me.
Experience was my only teacher; I knew little of the modern art movement. When I first saw the works of the Impressionists, van Gogh, van Dongen, and Fauves, I admired it. But I had to seek the true way alone.
I got to see The Beatles a couple of times. In fact, I saw their last performance ever in San Francisco. The Beatles were massive to me - I learned so much from them.
Someday I would love to write about Vincent van Gogh - his paintings and letters continue to inspire me very much. But it remains hard to find the time and inner rest to write.
I would stay two years in San Francisco, then move to New York in the summer of 1991, for the love of a man who lived there. When I arrived in New York, I had a job waiting for me, courtesy of a bookstore I'd worked at in San Francisco, A Different Light. They had a New York store as well, and arranged an employee transfer.
Someone who copies a Van Gogh does not therefore become Van Gogh, and the same would go for Mozart or anyone else who contributed something that was original. Certainly in the way that I described visualizing numbers in abstract, meaningful shapes.
Creativity is seeing what everyone else sees, but then thinking a new thought that has never been thought before and expressing it somehow. It could be with art, a sculpture, music or even in science. The difference, however, between scientific creativity and any other kind of creativity, is that no matter how long you wait, no one else will ever compose "Beethoven's Ninth Symphony" except for Beethoven. No matter what you do, no one else will paint Van Gogh's "Starry Night." Only Van Gogh could do that because it came from his creativity.
I don't necessarily make much art myself, but after I wrote 'Warped Passages,' I was fortunate to get involved a little in the art world. I got invited to write a libretto for what we called a projective opera, and I also got invited to curate an art exhibit.
I had these glorified ideas about San Francisco and its drug culture - I thought inspiration would just hit me and I would get these San Francisco drugs in my system and all of a sudden an amazing record would come out. But that's not really what happened at all.
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