A Quote by Irwin Shaw

I haven't stuck to any formula. Most great writers stick to the same style, but I wanted to be more various — © Irwin Shaw
I haven't stuck to any formula. Most great writers stick to the same style, but I wanted to be more various
I haven't stuck to any formula. Most great writers stick to the same style, but I wanted to be more various.
We love Formula One and think Formula One's great. But we think Formula E is different. We would be making a big mistake if we tried to compete with Formula One and be similar to Formula One, we have to be radically different to Formula One to have a chance of survival. I don't mean survival by beating Formula One but co-existing complimentary to Formula One.
You cannot stick with the same media strategy forever any more than you can stick with the same football tactics forever.
Culturally, I think we have operated as if we had the formula figured out, and it was all about optimizing, in its various constituent parts, the formula. Now it is about discovering the new formula.
Style is often something which locks the painter into the same vision, the same technique, the same formula during years and years, sometimes during one's whole lifetime.
Most great writers suffer and have no idea how good they are. Most bad writers are very confident. Be willing to be a child and be the Lilliputian in the world of Gulliver, the bat girl in Yankee Stadium. That’s a more fruitful way to be.
You find the most in not any particular denomination specifically. It's the style of worship. So if we have what we call a charismatic worship style, that means upbeat music and a more lively style of preaching usually, people are allowed to clap, say "Amen," whether they're mainline Protestant, conservative Protestant, and Catholics, whatever, they're much more likely to be integrated.
Like a lot of kids, I wanted to be an astronaut when I grew up. With me, it stuck more than most kids. Ever since I was little, I wanted to do it.
I thought the message of the artist was more important than the writing style. I tried to be clear; I wanted everyone to be welcome. I think some of the more serious writers wrote to a more elite audience than that. They're the ones who were defining the seriousness of rock n' roll.
There are some great writers who are great talkers, but there are more great writers who are not great talkers. People seem to think there is some connection between talking and writing, but I love to talk and if there were some connection between the two of them I would be the most prolific writer in the history of the world.
I was a bit of a dozy kid, so everyone just started calling me Susie Bubble and it stuck. Style Bubble is sort of like being stuck inside the style side of my brain. That doesn't sound very appealing, does it?
You have no idea about presents or what they mean. The last present you gave me was a stick.” “You wanted a weapon.” “It was a stick.” “It had a bow on it.” “It was a stick.” “I thought you liked the stick. You laughed.
Most established comic writers have a fixed style or methodology, so what you get on page one of the first issue is about the same for the last page of the series.
Age, style, where you come from, where you were born, it's different every time, which, to me, is refreshing because it says that there isn't any one thing, one formula or kind of character that makes a great comedian. Everybody has had a different approach.
Most writers stick to what they know. The black experience is our experience, so it's not that challenging for us. That's why sometimes you'll see writers that start off telling black stories, but later branch out into other material. People say they "sell out." No, they evolve as writers.
Young people are more likely to be idealistic and think that radical change is both necessary and possible. They may not yet be stuck in the routinized and sterile life that work and age often bring, nor stuck in any kind of rigid way of thinking. They have great energy and can get things done.
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