A Quote by Irwin Shaw
In Europe, a writer is supposed to improve up until he's about 75
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In Europe, a writer is supposed to improve up until he's about 75.
For a short-story writer, a story is the combination of what the writer supposed the story would likely be about - plus what actually turned up in the course of writing.
The spotlight was on me. I pretended it wasn't, but it was, and for every wrong reason. It was all about money, it was all about my supposed competition with Joe Eszterhas over who'd be the highest-paid screenwriter. I didn't care. I just wanted to write stories, try to become a better writer, improve my style, change genres, even try new things. I didn't like action so much any more.
I remember liking to write stories pretty early on. In fourth or fifth grade, they would give us the beginning of a story, and we were supposed to finish it. I remember liking that. But I didn't think about deciding to become a writer until high school at about the age of 16.
We have more and more rules coming out of Europe telling us what to do, and I think people are getting a bit fed up with it. This was supposed to be a common market. I don't remember them ever saying we would be governed by Brussels and become a satellite of Europe.
The cool thing about being a writer is: you get to make stuff up. When I started wring about Vampires, I realized, I can take everything i did like about that mythology and anything I didn't like, I didn't have to; because until a real Vampire stands up and says, 'you've got it wrong,' it's anyone's game.
Today osteoporosis affects more than 75 million people in the United States, Europe and Japan and causes more than 2.3 million fractures in the USA and Europe alone.
I played American Legion ball starting when I was 14. But I didn't catch until I was 17. I was 75-3 as a high school pitcher, but it was like everybody knew that I was supposed to be a catcher. When the scouts would come around, and I was pitching, they'd make me take infield practice so the scouts could watch me throw.
The strange dilemma of the 'ethnic-fiction' writer is that you are supposed to carry a banner for your homeland, be a voice for it, and educate the rest of the world about it, but I think that's far too onerous a burden for any writer to bear.
Europe would be well advised to pay more attention to Latin America. The emerging economies are the engines of the global economy. Colombia has done too little to improve its reputation in Europe.
After you publish a book, you become a writer and you're supposed to take it very seriously. You're supposed to show up at your desk - although frankly, I don't have a desk, I write in bed - you're supposed to show up at your bed and produce work. I think it's a little bit like work. I like to have fun with it, do things like make silly book trailers. I don't want to take this too seriously.
The greatest ability in the whole human race and all amongst the livingness, is the ability to help. And when you can improve that ability all the way up along the line, you've improved about all there is to improve about a person.
I wanted to be a 150% entrepreneur and a 150% mom, and I found that I was having a very hard time doing both. I was about 75% and 75% - still better than 100%, but not what I was accustomed to at work.
I think it's hard to make a living as a writer, but I think it's hard to work at McDonald's too.... I think the commitment is to get up everyday and say, "I'm a writer, therefore what I'm supposed to do today is write." And to do that, and to do that and to do that.
Things are not going to improve for you in life until YOU improve
In college, I was a researcher/writer for 'Let's Go: Europe,' assigned to Crete and Cyprus. I was supposed to go to England, but at the last minute they transferred me, despite the fact that I spoke not a word of Greek. I learned the very basics, and to this day can say 'oil,' 'vinegar,' and 'boyfriend in America.'
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