A Quote by Irwin Shaw

I reach my readers regardless of what the critics have written. — © Irwin Shaw
I reach my readers regardless of what the critics have written.
I reach my readers regardless of what the critics have written
There are television critics, movie critics, and theater critics too who I like and who I follow and I get genuinely bummed when they don't like something that I've written because I usually agree with them.
Critics have a problem with sentimentality. Readers do not. I write for readers.
I love slow readers. And readers who think about what I've written, think about how it's written - and copy me!
Critics are biased, and so are readers. (Indeed, a critic is a bundle of biases held loosely together by a sense of taste.) But intelligent readers soon discover how to allow for the windage of their own and a critic's prejudices.
There's always been a lot of negative stuff written about me. That's why I don't pay any attention to the critics. They've never liked anything I've done. What do critics know? It's the way the audience reacts that matters.
I dare to imagine a country where every child I hold in my hands, are all God's children, regardless of the color of their skin, regardless of whether they're boy or girl, regardless of religion, regardless of rich or poor, that every child I hold in my hands, will have the same chance to reach her full potential or his full potential. That is the goodness of our country. That is the essence of the American dream.
For the critic, criticism is a form of natural self-expression, as poetry is to the poet. So, for a critic, criticism is a true thing. Criticism isn’t written for poets, it’s written for other readers. One hopes it is true for other readers if it’s true for oneself.
Book critics certainly are judges who wield a tremendous amount of power in terms of whether or not a book will reach a wider audience. That's one of the reasons why I try to give coverage to books written by Latinx writers; too many worthwhile works of literature do not get the kind of coverage they deserve, and I've certainly seen that with respect to books written by writers of color. But there are some wonderful, diverse writers out there who mentor and otherwise support those voices that often have been ignored by much of the mainstream press.
You don't want to dwell on your enemies, you know. I basically feel so superior to my critics for the simple reason that they haven't done what I do. Most book reviewers haven't written 11 novels. Many of them haven't written one.
Readers, not critics, are the people who determine a book's eventual fate.
It’s as much a writer’s concern, who is responsible to his readers for all the books written before him as well as those which will be written after him.
I like art that trusts its audience, that's written for readers who like to work hard. I like art that knows its readers are up to the challenge of interacting with difficult material.
My theory about writing is that one should write books you'd like to read, but no one else has written yet. So, as long as I stick with that, I'm entertaining myself, and then hopefully my readers as well. I hope to god I realize that I'm repeating myself, if I ever do. But if I don't, I'm sure my readers will let me know.
With a few exceptions, the critics of children's books are remarkably lenient souls.... Most of us assume there is something goodin every child; the critics go from this to assume there is something good in every book written for a child. It is not a sound theory.
I find I think of myself not as a writer so much as someone who provides a gateway, a tangential route for readers to reach the circus. To visit the circus again, if only in their minds, when they are unable to attend it physically. I relay it through printed words on crumpled newsprint, words that they can read again and again, returning to the circus whenever they wish, regardless of time of day or physical location. Transporting them at will. When put that way, it sounds rather like magic, doesn't it? p.369
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