A Quote by Irwin Winkler

Many of the best films made about war have come out after the wars have ended. People need a period of time to reflect on them. — © Irwin Winkler
Many of the best films made about war have come out after the wars have ended. People need a period of time to reflect on them.
The smaller films just take a longer period of time to build their fan base because people don't see them as soon as they come out in the theater. They see them, after a period of years.
The people I met for the first time in the period when I was making films like 'Tum Bin,' 'Ra.One,' 'Dus,' 'Cash' would often remark that I was very unlike the person who had made those films. This is not the best thing for a film-maker to hear because your film should reflect your personality, thinking, philosophy and character.
The best thing about making films is the time spent making them. When I see works that I've made, I always think what a great time I had making them. The films remind me of that time.
I don't know about "dream role." I do so many dramatic roles or period films or [play] traumatized people or stressed-out people or very intense things, high stakes happening all the time.
I made so many films I thought were great and they turned out horrible, and I made films I did not believe in at all, and 'Shadow Of The Vampire' was one of these films I did not believe in during the shooting. And then when I saw it I was surprised what they had made out of it. They edited for quite a long time.
I am sick of war. Every woman of my generation is sick of war. Fifty years of war. Wars rumored, wars beginning, wars fought, wars ending, wars paid for, wars endured.
After the atomic bombs were dropped, the war ended and we went into Tokyo Bay with the rest of the fleet, the Missouri and the rest of them, while they signed the terms of surrender that ended the war.
Landmines are among the most barbaric weapons of war, because they continue to kill and maim innocent people long after the war itself has ended. Also, fear of them keeps people off the land, and thus prevents them from growing food.
My books have come many years apart and each one seems to reflect a period of experience. Ending the book is like putting a period on a certain movement. Interior and external - both.
When people speak to you about a preventive war, you tell them to go and fight it. After my experience, I have come to hate war.
I was born 20 years after World War II had ended, and people of my generation mostly thought of it as a terrible period portrayed in documentaries you'd seen, flickering, in black and white.
Many people send me letters in England saying, 'I want to be a war photographer,' and I say, go out into the community that you live in. There's wars going on out there; you don't have to go halfway around the world on an airplane where there are bombs and shells. There are social wars that are worthwhile.
I am crazy about my own films. The films I've just made I'm crazy about them. But then I don't see them for many years. It's like when you get a new child you're very crazy about this child but then after a few years you're like, "what was its name again?"
I enjoy making all kinds of films. I love action films, war films, period films, adventure films.
World War II made war reputable because it was a just war. I wouldn't have missed it for anything. You know how many other just wars there have been? Not many. And the guys I served with became my brothers. If it weren't for World War II, I'd now be the garden editor of The Indianapolis Star. I wouldn't have moved away.
WE MADE A MONSTER OF HITLER, A DEVIL. THAT IS WHY (THEREFORE) WE COULD NOT AFTER THE WAR SAY OTHERWISE. WE HAD PERSONALLY MOBILISED THE MASSES NEVERTHELESS AGAINST THE DEVIL. THUS WE WERE FORCED AFTER THE WAR, TO PLAY ALONG WITH THIS DEVILS' SCENARIO. WE COULD NOT POSSIBLY HAVE MADE OUR PEOPLE CLEAR (TO THEM) THAT THE WAR WAS ONLY AN ECONOMIC PREVENTATIVE MEASURE!
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