A Quote by Irwin Winkler
If I'm going to produce something, it's going to be with somebody I think is special. Once I go beyond a handful of directors, like Scorsese, there are very few I want to work with.
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In terms of directors, great actors make directors - Gary Oldman was great to work with, for me; Tim Roth, too. You work with Scorsese and Spielberg and they were wonderful directors, but for me, working with actor/directors is special.
What are you doing here? Tell me why you are here. If you are not here to win a national championship, you're in the wrong place. You boys are special. I don't want my players to be like other students. I want special people. You can learn a lot on the football field that isn't taught in the home, the church, or the classroom. There are going to be days when you think you've got no more to give and then you're going to give plenty more. You are going to have pride and class. You are going to be very special. You are going to win the national championship for Alabama.
I knew that's where I was going. I knew we were going to Italy. You couldn't make this movie in America at this price. I knew it was going to be big. I knew there was going to be a ship involved and that there was going to be a set as big as the ship. I thought, well, here we go. But I knew that was where he was headed. He had been going this way for some time. All directors, once they have some success, they want to spend a whole heck of a lot of money. (Something else can't hear.)
Anybody who writes a book is an optimist. First of all, they think they're going to finish it. Second, they think somebody's going to publish it. Third, they think somebody's going to read it. Fourth, they think somebody's going to like it. How optimistic is that?
Once I turned pro, I was like,' OK, this is not fun and games now. This is me. I'm going to come, and I work on karma. I'm not going to go after somebody if I don't have a reason behind it, so as soon as there is some sort of a reason for me to do something that I need to do, then I'll do it.'
I knew David Lynch going to television was going to be something. It was either going to not work, nobody was going to get it and it would disappear, or it was going to be something special and really stand out.
They're making so few movies that you really just have to make it. It's going to be the only way you end up getting work. I don't believe anyone's going to really go out on a limb and just throw millions of dollars on someone that's not been proven. They're going to have to show somebody something at some point.
My father always said I would do something big one day.'I've got a feeling about you, John Osbourne,' he'd tell me, after he'd had a few beers.'You're either going to do something very special, or you're going to go to prison.'
And he was right, my old man.
I was in prison before my eighteenth birthday.
I wasn't attractive, I wasn't very verbal, I wasn't very smart in school. I wasn't anything that showed the world I was something special, but I had this tremendous hope all the time. I had this tremendous spirit that kept me going... I was a happy child, because I had this feeling that I was going to go beyond my body physical... I just knew it.
I think when you're really passionate about something, and maybe not every person is like this, but I think there's a large group that feels deep inside, I want something different, I want something more, I want to go on my own path. It's being comfortable being uncomfortable. Because to do that, you're going to have to jump outside of the comfort zone and it isn't going to be perfect. It's going to be scary. And to me, that's when great things happen.
I don't like to go beyond modernity because you think girls might be like that in five years, but in five years what I see now is going to be old; we are always going to go somewhere else. You have to bring a few novelties within what will remain.
If you really want to break it down, on a small movie everybody knows that they're there for artistic reasons to do something special to make something amazing, and they're not going to get their normal hotel and they're not going to get their trailer, but they're willing to forgo that - and of course the salary - because they want to do something really special. On a big movie, most people are getting paid a lot of money, and so they're there to do the work.
Obviously, in football you can study somebody, but at the same time, once you get out there, I think there's just a natural kind of feel for where you think guys might be or where they're going to go and knowing beforehand what's going to happen. It's just like chess.
Well, the truth is that we are all mystical and that there is something going on that can't be explained. Outside of the day-to-day stuff like getting up going to work, we all have something going on within us, and we all know that there is something going on - we're spiritual creatures and we are very powerful.
I think as long as you're going out and treating everything with respect - you're not going in there acting like a helpless girl - as long as you don't go in there demanding special treatment, I think you won't receive any special treatment.
It's crazy. I don't know how I'm not dead. People think I'm going to get punched in the face: "Something terrible is going to happen to you. You're going to get killed." That's not what's going to kill me. The show is going to kill me. The work is going to kill me. Once I'm on the street, I'm not worried about that.
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