A Quote by Isa Guha
The 'Natmeg' from England's Natalie Sciver attracted a lot of attention as a brilliant piece of improvisation, which requires every bit as much talent as a Tillakaratne Dilshan 'scoop,' or a Jos Buttler 'ramp' shot.
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Tillakaratne Dilshan is innovative and scores quickly, while Upul Tharanga is neat and well organised - and left handed.
People like Mo Ali, Jos Buttler, Ben Stokes, Joe Root, they are looking to take attack to the opposition and that's when they play their best.
No. 7 is not an easy position. The way you play is dictated by the pace of the game and you have to try to get quick runs. Even top players like Jos Buttler and Ben Stokes find it hard.
You travel the world and you talk to people about Jos Buttler, and they rave about this lad. I don't like massive comments, but he'd have to be up there with the three or four greatest white-ball players of all time. You're talking Virat Kohli, AB de Villiers, MS Dhoni, Viv Richards.
The play takes place on a ramp, hanging from a ramp, below a ramp, and to the sides of a ramp.
I see someone like John Williams, the classical player, and the amount of discipline and the natural ability that man has is so frightening. That requires so much natural talent. And I think my talent came from just practising, and I feel a bit intimidated when I see players that good.
A lot of improvisation ends up being about just thinking outside of the box in the scene. It's not improvisation as much as it is quickness or making it real.
For me, what I learned is that I went for a long time without making music when I was married, and I think some of that was because - it was a little bit unfortunate - but it didn't make sense in the confines of my marriage for me to be the musician and the writer, which requires a lot of focus and attention.
I always tell up-and-coming DJs you have to really love what you do and find that interest to drive you. It requires so much attention to detail, and it takes up a lot of your time. You hear a song, and there are so many little pieces that make that song work. It requires a lot of patience, diligence and resilience.
I did a lot of ramp modelling in South Africa and Hong Kong, when models were free to dance and walk on the ramp.
I believe with a lot of support shows, people are very much there to see the headliner. You don't necessarily have their full attention, and some of what we do requires a lot of silence.
Dialogue is really aimed at going into the whole thought process and changing the way the thought process occurs collectively. We haven't really paid much attention to thought as a process. We have engaged in thoughts, put we have only paid attention to the content, not to the process. Why does thought require attention? Everything requires attention, really. If we ran machines without paying attention to them, they would break down. Our thought, too, is a process, and it requires attention, otherwise its going to go wrong.
I said Revolver is my favorite The Beatles album, but only because it came to my head and it's a brilliant one. But they're all pretty brilliant. There's variations, but they're all brilliant, and it just depends on if they're very brilliant, or just a bit brilliant. It changes.
That's why every cricketer wants to play international cricket. First of all you're playing for your country, secondly there's a lot of media attention and thirdly, for India, there is so much support for us, especially in England. So you know what you are doing is important, and that motivates you, helps you get going.
Bit by bit, putting it together... Piece by piece, only way to make a work of art. Every moment makes a contribution, Every little detail plays a part. Having just the vision's no solution, Everything depends on execution, Putting it together, that's what counts.
In MMA it's a lot less intimidating because it's not like you get one shot at a title every four years. You get a title shot every couple of months... With the Olympics, you don't always have this, so there is so much more pressure involved.
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