A Quote by Isaac Bashevis Singer

A story to me means a plot where there is some surprise. Because that is how life is - full of surprises. — © Isaac Bashevis Singer
A story to me means a plot where there is some surprise. Because that is how life is - full of surprises.
A story to me means a plot where there is some surprise... Because this is how life is full of surprises.
You can't mess around with young readers - you have to cut straight to the heart of the story. The character can be complex, the plot can have some surprises, but the emotions have to be clear.
My life is so full of surprises, nothing surprises me any more.
Truth, when we are fortunate enough to find it, is like bad-tasting medicine. It rarely comes as a pleasant surprise, because if it surprises us, it means we've been denying it for some time and have a lot of beliefs based on falsehood. It's hard to give up those beliefs.
I write fast. But it takes me a while to get going. It's very important for me to see my whole plot. I have to see the end first because I like a surprise in the end. Which is why I let characters and plot gestate in my mind.
The romance is the primary plot in a story that has two plots. The second plot is not a subplot, but one that is interwoven with the romance plot (if that makes sense.) A story needs compelling characters in a compelling plot.
I want to say to you that there is life and dreams and surprises after 30-and 40, and 50, and 60, and 77! Believe me, life is one long surprise.
I was interested in the ways we can write biography. When you're first starting to write about your own life it feels so shapeless because you don't know how to make your own story cohesive. How do I pluck a story out of the entirety of what it means to be alive. It occurred to me recently that when you're telling a story about your own life, rather than taking a chunk, you're kinda like lifting a thread from a loom.
Some people are probably scratching their heads and saying, How did that happen? That's because some of the media didn't give the public the full story.
The first book was a life story that I was hesitant to write anyway because I didn't feel like I had a real life story... It was a surprise hit.
An important part of any good mystery story like 'Original Sin' is that it's not just a game of 'Clue' with surprise after surprise after surprise, but the goal is to tell a story in the midst of that. Even once you know the solution to the mysteries, it's far from the whole story.
I see this with experienced writers, too: They worry so much about the plot that they lose sight of the characters. They lose sight of why they are telling the story. They don't let the characters actually speak. Characters will start to dictate the story in sometimes surprising, emotional, and funny ways. If the writers are not open to those surprises, they're going to strangle the life, spark, or spirit out of their work.
Baseball is part of America's plot, part of America's mysterious, underlying design-the plot in which we all conspire and collude, the plot of the story of our national life.
The remarkable thing is that it is the crowded life that is most easily remembered. A life full of turns, achievements, disappointments, surprises, and crises is a life full of landmarks. The empty life has even its few details blurred, and cannot be remembered with certainty.
That's how you get surprises, because what movies are all about is surprises.
A thin line separates laughter and pain, comedy and tragedy, humor and hurt. Our lives constantly walk that line. When we slip off on one side or the other, we're taken by surprise. But who said there wouldn't be surprises? Knowing God just means that all the rules will be fair; at the end of our life drama, we'll see that. We never know how things will turn out, but if we know with certainty they will make sense regardless of how they turn out, we're on to something.
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