A Quote by Isaac D'Israeli
Golden volumes! richest treasures,
Objects of delicious pleasures!
You my eyes rejoicing please,
You my hand in rapture seize!
Brilliant wits and musing sages,
Lights who beam'd through many ages!
Left to your conscious leaves their story,
And dared to trust you with their glory;
And now their hope of fame achiev'd,
Dear volumes! you have not deceived!
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The problem with the alphabet is that it bears no relation to anything at all, and when words are arranged alphabetically they are uselessly separated. In the OED, for example, aardvarks are 19 volumes away from the zoo, yachts are 18 volumes from the beach, and wine is 17 volumes from the nearest corkscrew.
If I had a story idea that I felt would work best in three volumes I might write a trilogy eventually. I'd very likely write it all at once, though, so I could work on it as a whole and not broken into individual volumes.
Lights! Lights would be very good right now! (Amanda) Since they hurt my eyes to the point I can barely see, no they wouldn't. Trust me. (Kyrian) Trust you, my left foot! I'm not immortal over here! (Amanda) Yeah, well, in a bad enough car wreck, neither am I. (Kyrian) I really hate your sense of humor. (Amanda)
Tell me how many songs that I must sing before I can see you in your glory, hear your whole entire story, bathe inside your golden, golden sea?
If I had a story idea that I felt would work best in three volumes I might write a trilogy eventually. I'd very likely write it all at once, though, so I could work on it as a whole and not broken into individual volumes. I don't always write in order, so composing multi-book stories could get complicated.
Demon. Gremlin. Poltergeist. Ghost. Phantom. Spirit. Shadow. Ghoul. Devil. People are afraid of them, so they relegate their existence to stories, volumes of books that can be closed and put on the shelf or left behind at a bed and breakfast; they clench their eyes shut, so they will see no evil. But trust me when I tell you that the zebra is real. Somewhere, the zebra is dancing.
The sheer volumes of songs have come from the hours of cold and darkness that one spends inside with the lights on.
The great British Library --an immense collection of volumes of all ages and languages, many of which are now forgotten, and most of which are seldom read: one of these sequestered pools of obsolete literature to which modern authors repair, and draw buckets full of classic lore, or pure English, undefiled wherewith to swell their own scanty rills of thought.
The most inspiring objects are books. I have about 5,000 volumes in my home library. It's an unending source of visuals and ideas.
To make a library It takes two volumes And a fire. Two volumes and a fire, And interest. The interest alone will do If logs are few.
They have written volumes out of which a couplet of verse, a period in prose, may cling to the rock of ages, as a shell that survives a deluge.
And at that moment a wind came out of the northwest, and entered the woods and bared the golden branches, and danced over the downs, and led a company of scarlet and golden leaves, that had dreaded this day but danced now it had come; and away with a riot of dancing and glory of colour, high in the light of the sun that had set from the sight of the fields, went wind and leaves together.
Days, when the ball of our vision
Had eagles that flew unabashed to sun;
When the graps on the bow was decision,
And arrow and hand and eye were one;
When the Pleasures, like waves to a swimmer,
Came heaving for rapture ahead! -
Invoke them, they dwindle, they glimmer
As lights over mounds of the dead.
The pleasures of the table belong to all times and ages, to every country and every day; they go hand in hand with all our other pleasures, outlast them, and remain to console us for their loss.
Your internal dialogue has got to be different from what you say. And, you know, in film, hopefully that registers and speaks volumes. It's always the unspoken word and what's happening behind someone's eyes that makes it so rich.
Your internal dialogue has got to be different from what you say. And, you know, in film, hopefully that registers and speaks volumes. It’s always the unspoken word and what’s happening behind someone’s eyes that makes it so rich.
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