A Quote by Isaac Hanson

Christmas albums are not something you do frequently. — © Isaac Hanson
Christmas albums are not something you do frequently.
I have a love/hate relationship with Amy Grant, but I do go back to her Christmas albums once in a while. They're dated and sentimental and the production is nearly unlistenable, but there's something about her vocal performance that just feels really true. I would take her Christmas albums over Mariah Carey's or Destiny's Child's any day.
Some of my favorite records growing up were Christmas albums. The ones I liked best were the albums that you could listen to from start to finish. You could put them on while you're decorating the tree or driving around looking at Christmas lights.
First of all, I've been having a wonderful run of luck with cover albums, songs I didn't write. I had five pop cover albums and two Christmas albums, and they were all very successful.
For many years, I've wanted to do one, and I've always mentioned it to the chieftains, and they would say things like, 'Oh well. Christmas albums don't sell,' and things like that. But that's not the point. Christmas albums are important. The music is important. The season is important.
So many people release albums before Christmas and they get lost in the Christmas rush.
I don't know of too many double Christmas albums, so it is something that's new, and hopefully will be fun, and there's plenty of stuff out there to cut.
At the heart of every really good Christmas movie is the threat, I suppose, to Christmas. Something is wrong with Christmas, in all of these movies. In 'The Polar Express,' there's a kid that doesn't really believe, and that's the threat to Christmas. In 'Santa Claus: The Movie,' jealousy and greed are threatening to overrun his Christmas.
Here's To Christmas' is something I'm really proud of and I think it stands up as something fun, but something that doesn't sound half bad too - an album to get everyone into the swing of Christmas!
For a Jewish guy, I've recorded a lot of Christmas albums.
I started running to different albums, and I was starting with the short albums and moving on to the longer albums. I was interested in how they built up, in tempo and intensity. it made me interested in albums again, too.
Christmas turns things tail-end foremost. The day and the spirit of Christmas rearrange the world parade. As the world arranges it, usually there come first in importance -- leading the parade with a big blare of a band -- the Big Shots. Frequently they are also the Stuffed Shirts. That's the first of the parade. Then at the tail end, as of little importance, trudge the weary, the poor, the lame, the halt, and the blind. But in the Christmas spirit, the procession is turned around. Those at the tail end are put first in the arrangement of the Child of Christmas.
Growing up, my earliest memories are listening to Sinatra Christmas albums.
I find the fact that so few people buy albums to be strangely emancipating. There's absolutely no reason for 99% of musicians making albums to think about actually selling albums. So as a musician you can just make an album for the love of making albums.
I wanted to make something that reminded people of the way albums used to feel. I wanted something as good as the stuff put out by the Bomb Squad, or Dr. Dre and his production crew, or 'A Tribe Called Quest.' I miss albums like those.
There is something about live albums that I enjoy so much more than studio albums from all of my favorite artists. When I am listening to them live, I get to connect so much more to their truth than in studio albums.
It's funny how we 'do' Christmas. Christmas is not something that we do, it is something that was done. It celebrates the long awaited arrival of the Messiah, Jesus Christ. We had nothing to do with it, but what we can do is praise God for the coming of the Lord, who washed away the sins of the world by dying on the cross.
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