A Quote by Isaac Hanson
I have a hard time with musicians who act like pricks because it just makes me mad. I just sit there and I go, 'You know what, dude, no matter whether you're in a band just surviving or you're in a bus playing stadiums, one way or another, you're still among the rare breed of people that are actually getting paid to do it.'
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I'm still in the middle of the transition. I'm still in man-boy mode. And that won't go away for a while. But it's a fun time to be in, because it's very rare that people get to work through this time. It's rare to see a John Cusack in Say Anything. It's rare that you'd find an actor right in the cusp of the child-to adult transition, just got through puberty, just getting into a different way of life. There's few movies like that, and few roles like that, so it's going to be tough to pick and choose. I guess the goal is good people, work with good people.
My parents would have their friends over - their friends who thought, 'How can you live without a TV?' By the time they left, they understood why, because I had done the second act of 'West Side Story' and the first act of 'Jesus Christ Superstar,' playing all the parts. In many ways, that's what I'm still doing. I'm just getting paid better.
I like it all. I love getting inside of people's heads and playing what drives people and what makes them do what they do. That's always been what's most interesting to me about being an actor. The analyzing of what's happening, but even more so, just letting it all go and playing is fun. I love just seeing what comes out of you.
In New Orleans, people are still influenced by one another. You got these bands that play every week on Frenchmen Street, and on their breaks, they might go see the reggae band that's right next door. You might get the musicians from the reggae band to sit in with the brass musicians. Everyone is having fun.
Sometimes a guy is going to get you here and there, you compete. He is getting paid just like you're getting paid, and he is a competitor just like you are. But if a guy can just stop me a whole game by himself, and I can't do nothing about it or I'm fatiguing or I'm not strong throughout the whole game, then it's time for me to hang them up.
Every recording session and tour is a very valuable time to me in terms of getting to spend time with the musicians - whether they're friends and family or people I've just met - because I don't have a job where I get to interact with people everyday.
It's rare for me to sit in a room with my guitar and feel like I can't stop playing, because it just sounds so good.
The percentage of people that go to drama college in the U.K. is probably just like anywhere in the world. It's a very hard business to work in. They say that, at any one time, there's only 5% of actors in the world that are actually working and getting paid, which is a shocking percentage, really.
I just don't trust any of it. Every time I read something about how there's been another ridiculous climb of the Dow Jones, there's a part of me that goes, “This can't be good.” None of this is real money. You know what I mean? It's not like there's actually more of anything. It's just ideas. When people are getting richer and richer but they're not actually producing anything, it can't end well.
Sometimes I just go, 'Is it me? Am I really just not that likeable?' The cool thing is, when you go out there and see a lady get mad or a guy get mad, or they hate you because you didn't come from the independents, or whatever, what I like to do is just pour kerosene on that fire.
Even the fact that I labelled myself makes me mad sometimes, because dude, I'm just a free spirit.
Every city is different for playing, actually. That's one of the hardest things: to play abroad. Because sometimes you know your city and your audience and you know what to play and what people will dance to. And later, you go to a place and you think this thing will work and you start playing and it doesn't work, and you have to be able to go to another side just to try to find what people like or whatever, or, like, try to make people dance as they are more used to. I don't know, it's quite strange - people dance in different parts of Europe in a different way.
I think it's good for the fans, as well, because they get to connect with you directly. You know, in the old days, if I wanted to, like, write to (Steven) Spielberg or Sam Raimi or whatever, I'm not sure I could actually write a fan mail and (I'd) have no idea where to actually send it. Nowadays, you can just, like, follow Ashton (Kutcher who still has among the most followers on Twitter) or, like, friend someone, you know, on Facebook, and you can actually just say, "Hey, I like your stuff."
Youths write me and tell me that their band will go nowhere because of all the bad bands in the world. I tell them there has always been awful music and that no great band ever wasted any time complaining, they just got it done. Their ropey ranting is just a way to get out of the hard work of making music that will do some lasting damage.
It truly feels like all my blood, sweat, and tears have paid off, and you're just excited to be a woman because you're getting just as much time as the men, and you're getting the recognition.
I don't even think about having a "rock-star profile." But sure, I always think, "Wouldn't it be great to have your friends along for the ride?" I just feel like me, you know? I've always been me, and I feel like the same guy. It surprises me when people expect me to be anything other than just a dude. I'm just a dude.
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