A Quote by Isaac Hanson
For better or worse, we have evolved for sure, but we've also maintained a certain core about who we are, which is we were raised on late '50s and early '60s rock n' roll and R&B, and you can always hear that throughout. And that's just always been who we were. As much as we've evolved, that's stayed the same.
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I was always a tomboy as a kid. I always had boyfriends. I was just a regular girl growing up in the late '50s and early '60s, but I was never really attracted to what the girls were attracted to: makeup, my appearance, homemaking.
We take a lot of inspiration from punk rock and early rock 'n' roll from the '50s and early '60s.
My mom would always play me a lot of late-'50s, late-'60s rock.
When I first started drinking, everybody was doing it. That was before they discovered marijuana and all that. It was the late 50s, early 60s - it was the beginnings of the rock 'n' roll era. The main drink was like wine. And even that was a romantic throwback to something.
I always hesitate when people call me a musician.I have had no musical training. I can't play anything. I really think of myself as a performer. It's always been writing for me. I evolved with my band in rock 'n' roll through poetry, not through music.
Back in the really early days, the men went out hunting, the women stayed home with the kids, and would hold the kid in one arm against the heart, so that's the left, and with the right arm they would throw. And it turns out you cannot make that calculation in real time. You have to have an algorithm set up. So these brain mechanisms evolved in order to do that, and when they evolved, the thing is that where there is a useful capability it often adapts to places it wasn't evolved for.
I was seduced by the nouvelle vague, because it was really reinventing everything. And the Italian cinema that one would see in the theaters in the late '50s, early '60s was Italian comedy, Italian style, which, to me, was like the end of neo-realism. I think cinema all over the world was influenced by it, which was Italy finding its freedom at the end of fascism, the end of the Nazi invasion. It was a kind of incredible energy. Then, late '50s, early '60s, the neo-realism lost its great energy and became comedy.
Reggeton has changed very much, musically. It has evolved. The artists have also evolved.
I've always been drawn to the American style in the late '50s and '60s.
The early parodies that talk-show people did of rock n' roll in the '50s were terrible. They didn't know it, they didn't like it - and that's a lethal combination.
The image of the band has always been something that's evolved or changed with every record cycle that we've done. I think, in a lot of respects, that's because we were so interested in having a visual representation for the music that we were making.
The core of Animal House was about prejudice, about equality, and about inclusion/exclusion. It was about a group of people who were together and anything went. Anybody who wanted in could get it in. Then there was that other group that nobody could get in, unless they were white, and just alike. It was very representative of the culture in the '60s, '50s, and '40s in America.
My father served as an Army doctor in West Germany in the late '50s and early '60s. As a result, he and my mother - both native southerners - were acutely aware of what had happened during the Holocaust.
Think back to the early rock n' roll records, and the average record length in the '50s - and well into the '60s - was two and a half minutes. It's very hard to put that much songwriting into two and a half minutes.
I guess I've always been really attracted to period pieces and always felt visually I was probably more made for the '50s or the early '60s than I am for a modern day.
Fashion has always been in my life, thanks to my mother and my aunt growing up. I think as I became an adult, my style evolved, and my love of fashion evolved even more.
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