A Quote by Isaac Hayes

When my agent told me he had a voice-over job I thought it was a Disney thing. — © Isaac Hayes
When my agent told me he had a voice-over job I thought it was a Disney thing.
I laugh at it now, but one time I had an agent tell me I would never work in TV if I didn't get a nose job. People tell you to change yourself to fit into the L.A. scene, but the advice usually doesn't make any sense. The next agent told me my nose was great!
I went to my agent and told them, 'I want to be on another Disney show.'
If I tried to shout over my older brother, my mother told me keep quiet. If I tried to shout over my little sister, my father told me to shut up. I found the best way to be heard was to lower my voice and actually speak when I had something to say.
Disney had such a hold on the mind of America-they were Adolf Hitler. The whole country thought Disney was some sort of god and that animation was some sort of pure thing for children.
At one point, Lucille's agent wanted to have me fired, telling her that my eyes were bigger than hers. When I head this, I told her that if I had her looks and talent, I'd keep me and fire the agent!
I've been working with Disney all these years doing voice work, and now I'm signed with Disney Fine Arts, doing 'Beauty and the Beast' oil paintings. So it's been an ongoing wonderful job.
My agent told me they were casting for the voice of Gollum. I hadnt read The Lord of the Rings, but I read the script and realized what an amazing role it was. I developed a voice for the audition tape, then met Peter Jackson and Fran Walsh at the auditions and fell in love with them both.
The first day I was told that I had osteoarthritis, I thought it was the worst thing that could possibly happen to me; I was done. I couldn't do anything. I couldn't run so my life was over. But because I'm a competitive person, I wasn't going to let anything slow me down and I turned it around and made it a positive.
The first thing my agent told me in 1959 was he said you have to have something recognizable that people will remember. “What are you? Do you have cleft in your chin? You have a Jimmy Stewart kind of talk?” And I thought I don’t know what I can give them that will be different.
I've had those periods in my career when I was sitting around waiting for a phone call and had an agent who was doing the same thing rather than going out there to shake the bushes looking for a job for me. It's a frustrating game, that's the downside of this business - the rejection.
I thought my inner voice was telling me it was time to sell my house and get rid of everything that I had. But what I was told was to just make my load lighter.
I auditioned for 'Coco' when I was nine years old, and I had no idea I was auditioning for a Disney/Pixar movie. When I was 10, they told me that it was going to be a Disney/Pixar movie, and I was just mind-blown. I was so shocked and thankful that I was going to Pixar.
I knew I was going to have to work my way back to coaching in the States, and I had a job offer here before I went to Japan, but I thought it was the right thing to get away. I had some friends over there.
Nobody told me there was any idea for a sequel to 'The Exorcist.' But my agent called me to tell me they were going to do it, and there was a part for me. I said, 'But I died in the first film.' 'Well,' he told me, 'this is from the early days of Father Merrin's life.' I told him I just didn't want to do it again.
When I first got to WWE, the head of talent relations was John Laurinaitis, who is now my father-in-law, and the first thing I thought when I saw everything that he had to do is, I thought, 'I would never, in a million years, ever want that job. You could not pay me enough money to have that job.'
I tried for years to get an agent because I was told you needed an agent. The agent-hunting process was grim indeed.
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