A Quote by Isaac Hempstead Wright
The thing about 'Game of Thrones' is it doesn't pin too much of a focus on magic. It kind of paints it in the same way that mystical things are portrayed in our world, because you don't walk about Westeros and see wizards with staffs or magical wands. All the characters don't really believe in it. It's this mysterious hidden vein to Westeros.
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'Game of Thrones' isn't all about magic - it's way more about political scheming and family tensions - but to be a part of this exclusive magic club is actually really cool.
It is so inspirational, to see that in the world of Westeros, men are answering to women, and they are a force to be reckoned with. It's empowering, and it's inspirational as well, because you're just like, 'This is great!'
Well, I really want to encourage a kind of fantasy, a kind of magic. I love the term magic realism, whoever invented it – I do actually like it because it says certain things. It's about expanding how you see the world. I think we live in an age where we're just hammered, hammered to think this is what the world is. Television's saying, everything's saying 'That's the world.' And it's not the world. The world is a million possible things.
Atlantis: Fabled. Mystical. Golden. Mysterious. Glorious and magical. There are those who claim that it never was. But then there are also those who think they are safe in this modern world of technology and weapons. Safe from all the ancient evils. They even believe that wizards, warriors, and dragons are long dead. They are fools clinging to their science and logic while thinking it will save them. (Thrylos)
I don't think you have to live in the fantasy world of Westeros to have problems with your mother-in-law.
Cersei took so many of us out in the last episode and she's really turned dark; even Jaime Lannister can see that, so I don't think that Cersei Lannister is long for her Westeros world. I hope she's not.
One of the trickiest things about 'Game of Thrones' is just seeding those first couple of episodes with that basic information that people need to know, both about the world and the ground rules of the world, and the relationships between the characters, as far as who means what to whom and why.
We know that the elements in play in a show like 'Confederate' are much more raw, much more real, and people come into them much more sensitive and more invested, than they do with a story about a place called 'Westeros,' which none of them had ever heard of before they read the books or watched the show.
There is something about acting that's mysterious and magical because there is only so much I can do to prepare, and then I have to just let go and breathe and believe that it will come through.
You're faced with creation, you're faced with something very mysterious and very mystical, whether it's looking at the ocean or being alone in a forest, or sometimes looking at the stars. There's really something very powerful about nature that's endlessly mysterious and a reminder of our humanity, our mortality, of more existential things that we usually manage to not get involved with very often because of daily activity.
We need not wait for the world to become more mystical; the world is mystical. Our problem is not that the world lacks magic; our problem is that we don't believe in its magic. We do not show up fully for life, and then wonder why life is not showing up more fully for us.
Sometimes we focus too much on our differences, but when we all look up into space, we see the same stars and we see the same sun. It really can be unifying.
The world is not magic - and that's the most magical thing about it.
Wands are only as powerful as the wizards who use them. Some wizards just like to boast that theirs are bigger and better than other people's.
The thing I find really special in performance is that there is this slightly mystical thing that takes over when you're responding to a crowd and engaging in people's imaginations collectively in a room. I've always thought that one of the most incredible things about being alive is going to see some kind of performance like that.
Alone with our madness and favorite flower
We see that there really is nothing left to write about.
Or rather, it is necessary to write about the same old things
In the same way, repeating the same things over and over
For love to continue and be gradually different.
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