A Quote by Isaac Marion
We're fumbling in the dark, but at least we're in motion.
Related Quotes
He who is ignorant of Motion, says Aristotle , is necessarily ignorant of all natural things. ...Not only was he entirely in the dark respecting the Laws, he was completely wrong in his conception of the nature of Motion. ...He thought that every body in motion naturally tends to rest.
What I personally gravitate toward tends to be fantasy, medium dark - not too dark - fairy tales and sci fi. Stop-motion takes something on the page thats really dark and adds a little sweetness to it, a living toys realm.
What I personally gravitate toward tends to be fantasy, medium dark - not too dark - fairy tales and sci fi. Stop-motion takes something on the page that's really dark and adds a little sweetness to it, a living toys realm.
But I'm not any better at relationships than you are. We'll find our way together, even if we're fumbling around in the dark for a while.
Do you believe in God, doctor?" No - but what does that really mean? I'm fumbling in the dark, struggling to make something out. But I've long ceased finding that original.
A writer loves the dark, loves it, but is always fumbling around in the light.
Who doesn't have a dark place somewhere inside him that comes out sometimes when he's looking in a mirror? Dark and light, we are all made out of shadows like the shapes on a motion-picture screen. A lot of people think that the function of the projector is to throw light on the screen, just as the function of the story-teller is to stop fooling around and simply tell what happened, but the dark places must be there too, because without the dark places there would be no image and the figure on the screen would not exist.
Even a room which must be dark needs at least a crack of light to know how dark it is.
Whatever is in motion must be put in motion by another. If that by which it is put in motion be itself put in motion, then this also must needs be put in motion by another, and that by another again. But this cannot go on to infinity, because then there would be no first mover, and, consequently, no other mover; seeing that subsequent movers move only inasmuch as they are put in motion by the first mover; as the staff moves only because it is put in motion by the hand. Therefore it is necessary to arrive at a first mover, put in motion by no other; and this everyone understands to be God.
I started to do stop-motion when I was a kid. You take a Super 8 and make some models, and move, click, move, click. All that. I love all forms of animation, but there is something unique and special to stop-motion: it's more real and the set is lit like a set. But I think it's also a kind of lonely and dark thing to want to do.
We live in a polarized world of contrived dualisms, dichotomies and paradoxes: light vs. dark and good vs. evil. We as Mexic Amerindians/mestizas are the dark. We are the evilor at least, the questionable.
As long as I stared at the clock, at least the world remained in motion. Not a very consequential world, but in motion nonetheless. And as long as I knew the world was still in motion, I knew I existed. Not a very consequential existence, but an existence nonetheless. It struck me as wanting that someone should confirm his own existence only by the hands of an electric wall clock. There had to be a more cognitive means of confirmation. But try as I might, nothing less facile came to mind.
I'm always looking to make something that didn't exist before, fumbling about in the dark, not just while making a collection. The search for something new is a constant in my everyday life. But constantly searching for something new is like looking for a well in a desert.
Every woman should absolutely own at least one staple skinny jean that is a) a dark wash denim and b) at least 2 percent spandex to have that everyday comfortable wear.
When a person expends the least amount of motion on one action, that is grace.
Motion-capture is not a genre. Motion-capture is a tool and technique and what we tried to do was to really use both motion-capture and traditional animation to build a system.
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