A Quote by Isaac Marion
I would like my life to be a movie so I could cut to a montage.
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A montage is incredibly challenging. When I can, I'd like to know what the music is going to be ahead of time because that will affect the beat, the pace of the montage.
Well, I'll be honest with you, sometimes you don't know you're playing a moment that's going to be in a montage. Sometimes it's a scene that didn't work out the way you hoped it would be and ends up in a montage.
It would be crazy to write a movie - which, I've seen these movies before - where someone is a beginner, has their training montage, and all of a sudden, they're an expert.
When I'm editing, I tend to cut, go back over it, cut, go back over it, cut, so by the time I'm done, even with a cut, I don't have a rough cut and then work on it so much. I have a pretty rigorous cut of the movie that's usually in the range of what the final movie is going to be. It doesn't mean I don't work on it a lot after that, but I get it into a shape so I feel I can really tell what it needs, or at least it's ready to show people.
For my first movie, I think my first cut was like three hours, because when you first direct a movie, you want to keep everything. But I'm not one of those directors who falls in love with the stuff they've done. Already when I'm doing my first cut, I'm willing to cut out everything that is necessary.
One of the walls of my bedroom was a collage of about 15 years of baseball photos. I would cut out the baseball pictures from every issue and I had this huge montage of thousands of pictures.
I think part of that comes from time's passed, and she's been in an environment where training is part of the thing. It's not like we do a montage of her discovering her powers like in every X-Men film but yeah, there's no montage. But she does have these new abilities that we pick her up with.
I like it when I'm on the stage, but honestly, I would be very happy if I could cut it off, just enjoy my life when I wasn't performing.
If I could spend the rest of my life inside one movie it would be The Godfather, because it's the greatest movie ever made.
Francis Ford Coppola did this early on. You tape a movie, like a radio show, and you have the narrator read all the stage directions. And then you go back like a few days later and then you listen to the movie. And it sort of plays in your mind like a film, like a first rough cut of a movie.
The way to balance the budget is for Congress to cut Social Security, move the retirement age to 70, cut defense, Medicare and veterans pensions, while the states cut almost everything else. It would be tough but we could do it.
'The Sopranos,' for instance, is arguably the best cable show of all time. They could have made a movie, but that show ended so perfectly, it would almost be a disadvantage to make a movie like that. Then again, if you made a 'Sopranos' movie, people would be lined around the block to go see it.
It's basically how I choose movie roles. Would I like to see this movie? Is this movie important? Why would I do this? And Headhunters is a movie that I would like to see in the cinema. And when it's sold to 50 countries or whatever, for me it's a great deal. I make movies for an audience so if that audience grows, I feel really honoured and thankful for it.
But I would like to reach the point where I could cut up an illustrated magazine at random and see to it that the parts would each become a painting. I cannot properly explain it right now. Already now I am searching for the most boring and irrelevant photo material that I can find. And I would like to get to the point soon where this determined irrelevance could be retained, in favor of something that would be covered up otherwise by artifice.
The movie that we could've finished in 2001 would've sucked. The movie that we could've finished in 2002 would've just been a disaster, even into 2003, it would've been very cobbled together, amateuristic stuff. But as we went along, we really did stumble upon some accidental themes, and with the things you could do with computers, and all that sort of stuff just sort of really accelerated into where the stuff that we could do right here at my house became - you could almost do anything.
I could cut my leg of; I could cut my arm off. I could gouge my eye out - I'd still probably survive, but not very well, and that's what we're doing to the ocean. It's the life support system of this planet. We've been dumping in it, we've been polluting it, we've been destroying it for decades, and we're essentially maiming ourselves.
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