A Quote by Isaac Mizrahi
I'd love to talk to Joaquin Phoenix because he's a very private guy. Also, he's creating a new kind of sexy leading man. To me, his face is new and might be legendary someday.
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I am just another fireman because the story focuses on Joaquin Phoenix's character, but I play Joaquin's close friend and I get burned up a little bit, but I don't die.
Wherefore give all diligence to the Spirit's motion and leadings, what it moves against, and what it leads to; for now will God make all things new: A new creation, new heavens, and new earth, and new heart and mind, and a new law, a new man to walk therein with his Maker with cheerfulness, and the old bonds are broken by the Spirit's leading, and to serve in newness of spirit.
I love Leonardo DiCaprio. He just makes really great films with great directors. He has great relationships with directors but also has a great social awareness. I think he balances his work with his responsibilities to his world, the environment, things like that very well. I'm very impressed by him and I admire him a lot. And other actors like Joaquin Phoenix, I just look at him and marvel at his unexpectedness, just his work really.
Both my assistant and my wife tell me that during battle scenes, when a character is making a 'guwaa' sort of face, my face also ends up going 'guwaa.' So afterwards, my whole face is tired. I guess it's because I'm the kind of guy who gets caught up in his own work.
We are seeing a new wave of young biologists that are attacking old problems with new tools and fresh ideas, leading to new types of bio startups and creating a much-needed engine to drive Silicon Valley into the next century.
I love a man with a great sense of humor and who is intelligent - a man who has a great smile. He has to make me laugh. I like a man who is very ambitious and driven and who has a good heart and makes me feel safe. I like a man who is very strong and independent and confident - that is very sexy - but at the same time, he's very kind to people.
'All In' is like the Giants motto, so I kind of took that, and I kind of used New York as the backdrop - how diehard New Yorkers are for their team. Me being a New Yorker, I just had to show my love for the city as well as my love for the New York Giants.
If I talk to a new guy, it's because the old guy bores me, and I already wrote a bunch of songs about him.
A man in a suit looking put together and dapper is very attractive, but I also kind of like the I-just-rolled-out-of-bed, a-little-bit-of-scruff, effortless, not-trying-hard-but-still-sexy guy. If a guy spends more time looking in the mirror than I do, that's problem!
If we apply the term revolution to what happened in North America between 1776 and 1829, it has a special meaning. Normally, the word describes the process by which man transforms himself from one kind of man, living in one kind of society, with one way of looking at the world, into another kind of man, another society, another conception of life.... The American case is different: it is not a question of the Old Man transforming himself into the New, but of the New Man becoming alive to the fact that he is new, that he has been transformed already without his having realized it.
I do love to walk around in New York because people will notice me, smile, but they never bother anyone. New Yorkers are very cool. I love New York.
I love creating new things. It's difficult to be creative once a restaurant's open. People want the same dishes. For me, the creativity is in opening a new place and starting a new menu.
I'm a very creative person, and the best part about creation is creating. So I always love to come up with new things, new ideas, new thoughts. I cherish things like that.
It's so not sexy and intimate. There are 40 people in the room. There's a guy with his belly hanging out, with a boom in your face. It's really very technical. I think doing a love scene is tougher than doing a fight scene. It's so staged and you can't put light on her face and you have to hit the mark.
Robert Pattinson has the face of a film-noir dupe. It's a face that is searching and open and kind. It's a face that a certain type of woman might want to fool because, in its intensely old-fashioned kindness, the face says, I love you. Fool me.
On 'Phoenix,' I talk about thoughts of suicide and my whole life. It's called 'Phoenix' because it's talking about dying - but when a phoenix dies, it's reborn from its own ashes. I related to that.
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