A Quote by Isaac Stern
A conductor has to know how to translate music into a communicative force that makes the listener want to hear what he has to say.
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I try to spend a lot of time thinking of what it is I want to say, and how I want to say it. Mainly because I know what it's like as a fan to hear music that is just exactly what I needed.
I want my music to be accessible to every listener because I know that I really have something to say in terms of really, you know, removing thorns from people, thorns that really makes us unaware that we are bleeding with these thorns, like pain, grief, jealousy and so on.
I'm like a conductor. I come up with ideas, and I get all these people to make great music together. I have a team of really talented assistant designers. I have architects in my office. People I trained from the beginning in menswear, womenswear, and home. I have a great team who know what I want and feel and translate that into beautiful results.
Yes, I know," "And I love to hear you say it, Louis. I need to hear you say it. I don't think anyone will ever say it quite like you do. Come on, say it again. I'm a perfect devil. Tell me how bad I am. It makes me feel so good!
My goal is to connect with people emotionally. I take life’s experiences and translate them into music — music that hopefully creates an impact on the listener.
Having the savvy to know what you want to say, how you want to say it, and what music you want to say it over comes with time spent and wisdom gained in a music career.
Yeah, I know, any time you hear an actor say, 'I do music', you cringe. But I want to be gradual with my music. I want to earn my stripes.
I prefer it when the conductor follows me. It is more difficult to work with a conductor who does not listen - even if I understand that sometimes it makes sense when one person is ruling everything. But for bel canto, I have to have a conductor who listens and supports me.
And you should hear the music. Incredible, amazing music, like nothing you've ever heard, music that almost takes your head off, you know? That makes you want to scream and jump up and down and break stuff and cry.
You know how a lot of people say, 'I lose myself in music,' or 'I like to escape,' but I want my music to be more of an awakening. I want it to make people to be aware of life; I don't want my music to be a distraction. I want to light a path.
I have this ideal listener, as John Cage did. This listener doesn't bring expectations that my music will fit into some part of music history, or that it will do any particular thing. This listener is just open to listening.
There probably is a lot of music that no one's ever gonna hear. For anyone doing music, just do exactly what it is that makes you want to do it. If you like listening to odd, strange, bizarre noise and that makes you want to create it, do it. Even if everyone around you tells you it's crap or thinks it won't work, someone out there is going to appreciate it.
I think I'm not in this work to not look at life as it is. I'm not in it to say, "I want to wear a mask and escape," you know. I want to know what's happening in the world, and I want to have it touch me in a way that I can do something, my little part like that, and have it somehow translate.
If you make a suggestion and [musicians] don't know what you mean, you have to be able to do it yourself. I often sit down on drums and show 'em just exactly what I want. And I do it and then say, "How do you do that?" It's because I know how it looks, I know what I want to hear, and I don't drop or rush any tempo. It ain't in my body, it ain't in my nephew's body.
Something I always tell students is, when you're writing something, you want to write the first draft and you want it to come out easily in the beginning. If you're afraid to say what you really have to say, you stammer. When you're thinking of your listener, that's when you start stuttering and it's just because you're nervous that your listener is passing judgment.
I'm very thankful, hearing impairment or not, that I've brought listening into my life. I will never say that I'm a good listener, however. Thinking that I was a good listener was one thing that kept me from being a good listener. It's a very dangerous thought. I just want to be better.
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