A Quote by Isaac Stern

I have a responsibility to pass on to the next generation what I learned from my teachers, ... It keeps me young and reminds me where I came from. Teaching young artists is like giving water to a flower.
I like teaching and the contact with young minds keeps one on one's toes, but increasing responsibilities have forced me to shed much of it in recent years.
Be young. Keep yourself young by having a good, sporty car like a Corvette. It keeps you on your toes. It keeps you young. It keeps you thinking young. It keeps you thinking modern and good things. Corvette is a modern, modern automobile.
It's our responsibility as young men to set a new precedent for the next generation.
I'm not any happier anywhere than when I'm in the studio. I'm over the moon about it. It keeps me young, it keeps me feeling like I have some purpose.
I always want to be doing both to travel as a teacher and lecturer, and to be a musician. I think in this generation institutionalizing the art form and spreading it to the younger generation through education is really important for all artists to have some hand in. Right now in popular culture and the mainstream, it's not a big part at all. I think education by young artists talking to young people, not just older people talking to young people, it gives an experience never felt before. I think over the years it will do a lot for the music.
Children who die young are some of our greatest teachers. We are allowed to die when we have taught what we came to teach and when we have learned what we came to learn.
A young sailor boy came to see me today. It pleases me to have these lads seek me on their return from their first voyage, and tell me how much they have learned about navigation.
A young sailor boy came to see me to-day. It pleases me to have these lads seek me on their return from their first voyage, and tell me how much they have learned about navigation.
I like teaching and the contact with young minds keeps one on one's toes.
You came back fighting and furious at me. You told me you'd been looking for mermaids, and I interrupted you. [...] I said that next time, you had to take me with you." "Was there a next time?" "Well, you tell me, you don't need water to feel like you're drowning, do you?
I'm 47 now, and I'm at that stage where I'm still young but I'm not young. I'm not old but I'm getting old, and I have stuff at home that reminds me of people and places.
I’m too young and ridiculous a person to speak for my generation, but I’d be happy to talk about my own experiences as a generation Y writer. I was raised by a generation of hippies. Throughout my childhood, teachers urged me to fight the establishment. My English teacher assigned Ginsberg and Kerouac and declared Bob Dylan “a genius.” My science teacher told me that television was “the new opiate of the masses” and bragged about never having owned one. My drama teacher made us perform Beckett.
Seeing a young band, seeing that hunger and the raw spontaneity, is good for me. It keeps me young, so to speak.
It's not about what you achieve, it's actually what you do for your industry and that's what I think is important. And when people look at me and they see my achievements with the restaurants do you know what I think? I think I did more than that. What I achieved was teaching young men and young women when they were young and inspiring them.
I think I've been able to witness Canadian hip-hop get a lot more respect from our own people. I think some of the artists that came before me were doing their thing but lacked a strong next generation of artists to help them capitalize.
There was a gap in minority heroes in animation, books, and storytelling for me as a kid, and being a father now, I felt the responsibility I had to the next generation to create stories that allow us to wish and dream and build worlds that inspire young people who haven't traditionally had these heroes to look up to.
This site uses cookies to ensure you get the best experience. More info...
Got it!