A Quote by Isaac Todhunter

[Asked whether he would like to see an experimental demonstration of conical refraction] No. I have been teaching it all my life, and I do not want to have my ideas upset. — © Isaac Todhunter
[Asked whether he would like to see an experimental demonstration of conical refraction] No. I have been teaching it all my life, and I do not want to have my ideas upset.
I figured I would be teaching my whole life and making experimental films on the side.
I think everything's experimental whether you like it or not. I think that people who do generic pop are experimenting with cliches. It's no less than I am experimenting with noise or unknown music - until you say, 'This is my song, or this is my composition' - it's all experimental, whether you like it or not.
The last thing I want my child to see is Dad running around in the middle of the pack. That would really upset me. And that would upset him. I would be embarrassed to take him to school with kids saying, 'Hey, how'd your dad do this weekend?' 'Well, he finished fifth or sixth'.
We started on the pole but by Lap 150 we were ninth or 10th and we were struggling. The car was sliding around a lot, but I did not get upset. I just said, 'Let's just keep working hard.' Last year, I would have been so upset about getting passed by those cars I would have been overly aggressive and would have worn our tires out. You can't do that in a 500-mile race if you want to be strong at the end.
If you had been poor in your last life I would have asked you to be rich when you come again. But you were rich. If you had been a coward, I would have asked you to bring courage. But you were a fearless warrior. If you had died young, I would have asked you to get life. But you lived long. So I shall ask you to come again the way you came before.
I love to read and teach experimental fiction but yes, neither this work nor my first novel is really that experimental. It uses some experimental techniques but in the end, I would not say that it is experimental. I'm not sure why. I do a lot of writing on my own, and I have always just written this way.
The toughest part is that when your kid's upset, you're upset. You're rocked until they're not upset. Even when they're not upset, you're like, "I hope that doesn't happen, down the line." You're always nervous because you want your kid to be happy.
The key point about a demonstration is that it must be seen. Hence the term "demonstration." If a person demonstrates privately in his own home, this is not technically a demonstration but merely "acting silly" or "behaving like an ass.
Hopefully people are upset for the reason I want them to be upset. Even when I was doing open mics, I've always had people upset. I've never been the consummate crowd-pleaser.
In teaching, you do not want to COVER things, you want to UNCOVER them. The best way to get good ideas is to have lots of ideas.
Violence is very much with us, and we like to see it. I doubt if you can change that, and I'm not sure you should want to. I have occasionally been very upset by something I was writing, but it's quite rare: I keep my writing very separate from my life.
Early in my teaching days, the kids asked me the meaning of a poem. I replied, 'I don't know any more than you do. I have ideas. What are your ideas?' I realized then that we're all in the same boat. What does anybody know?
I have this thing built into my contract that the club has to put up a sign that says my act "contains the strongest language and material content imaginable," but, believe it or not, I still get complaints. People want you to be what they want you to be. If they see you on TV and that's what they like, they want you to be EXACTLY like that when they see you live. And if you're not, some of them get upset.
In 'Demon's Souls,' we tried to implement some features in a kind of experimental way, not being sure whether or not it would be popular, but we did it anyway so that we could see how people reacted.
It's hard to get a film, you know, you need a very special film to be able to get that experimental. But, I would love to see that happen. I would love the opportunity to be more experimental than I am.
I was asked a question: 'Would I want to play for Madrid?' It's like anyone asked if they want to change jobs and move to a bigger company.
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