A Quote by Isabel Allende
The one that came really easy was the Japanese lover, because he's like a ghost in the book. He's always in the background like a spirit, like a shadow, almost. There's a very delicate line there.
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No martyr ever went the way of duty, and felt the shadow of death upon it. The shadow of death is darkest in the valley, which men walk in easily, and is never felt at all on a steep place, like Calvary. Truth is everlasting, and so is every lover of it; and so he feels himself almost always.
I think I saw 'Ghost' at, like, 6 or 7 - like, a little too early to see 'Ghost' - but I would watch Whoopi over any kids' thing. Everything she did was so funny, and all of her scenes are almost like sketches.
'Delicate.' I say it all the time when I eat food; when I'm trying to sound smart. I'm like: 'Oh, it's really delicate.' And my friends - they've caught on. They know what I'm doing. Like, 'why do you keep saying it's delicate?' I'm just trying to sound like a food critic.
It's terrible for people when they really love a book and there's an adaptation and they don't like it, because it's almost like you have this personal connection to the original material.
The actual process of travel I really like, because that time on planes and in airports makes me feel like I'm moving around like a ghost. There's a certain aspect of justifiable downtime. I really feel like being online is so pervasive now.
I would like to hook up with one of the great Japanese filmmakers, like the master that made 'Ringu,' and I would like to take 'The Wicker Man' to Japan, except this time he's a ghost.
I would like to hook up with one of the great Japanese filmmakers, like the master that made Ringu, and I would like to take 'The Wicker Man' to Japan, except this time he's a ghost.
Nature is like a canvas, a painting of countless options and possibilities. You don't really worship spirit, because you are also spirit, and spirits don't worship one another. What makes you different from spirit overall is that you are locked into temporality. You have a body, like a piece of cloth that is decayable. While you stay in it, it's hard for you to have the same abilities that spirit has without a body. It is also easy to make mistakes about what is real, and how to go about things effectively.
When I go on Japanese Airlines, I really love it because I like Japanese food.
Look, if you have a problem with distilling the Battle of Thermopylae down to freedom versus tyranny, you need to read Herodotus because he's the one. It's his fault, not modern culture's fault. He did it.' [Victor Davis Hanson] references a lot of things like that because he feels like the spirit of the book and of the movie ["300"] are very close to the Spartan aesthetic. That's really kind of what he feels."
When my first book came out, it was very disorienting. My health went south. I didn't know how to relate to people. I thought, "Now I have this way to be in the world that's going to be wonderful. It'll be like driving a great car, really streamlined." But it actually was difficult because, if you have a public persona, something you don't fully have control over, it's more like being in a car with controls you don't really understand.
I just sort of grew up with music always in the background like a soundtrack. And it really hit me hard when The Beatles came along, like so many people. That got me started digging back further to Chuck Berry.
I'm always happy when I get a chance to go over to Japan just because I feel like, if I can have good matches with the Japanese and show them that at this point in my career I'm still willing to go out there and put it on the line, I feel like it's a positive step in my career.
It's very, very corrupting to the spirit, doing comedy. And you have to be almost a saint, like Jack Benny was, like Steve Martin is, to avoid the corrupting of it, because there's very little work where the actual work and the reward are simultaneous, and comedy is that.
I love the apparent quiet of reading a book. You sit there; you're not really moving. It looks very solitary. It looks very boring, but actually it's the most exciting place because it's going on for you, and you're in that relationship. In that sense, it's like being with a lover. Nobody else can intrude on that space. It's the two of you. It's your own world.
I think titles are tricky because they're like a really short ad for the book. And like an ad, they should open the door in a way that might be more accessible than the book itself. So I always like titles to be familiar. I'm not trying to break ground with the title itself. The title should feel like something already celebrated.
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