A Quote by Isabel Allende
It's good for a writer to come from journalism because it gives you the tools. A journalist knows that he or she can lose the reader in six lines, so try to keep the attention of the reader. Also, you learn to research, and to conduct an interview - to extract from the person whatever you need from that person.
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You imagine a reader and try to keep the reader interested. That's storytelling. You also hope to reward the reader with a sense of a completed design, that somebody is in charge, and that while life is pointless, the book isn't pointless. The author knows where he is going. That's form.
From journalism I learned to write under pressure, to work with deadlines, to have limited space and time, to conduct and interview, to find information, to research, and above all, to use language as efficiently as possible and to remember always that there is a reader out there.
I always credited my mother with inspiring me to be a writer because she was such a passionate reader. She read poetry to me as a child. But rather late in life, I've come to appreciate my father, the accountant. He was a solid, organized, get-the-job-done kind of person-and you need that piece of it to be a writer, too.
A good reader or viewer is a person who is alert about her newspaper or news channel. A good reader or viewer will never waste her hard-earned money in watching or reading just anything. She is serious. She will have to think if the news she is consuming is journalism or sycophancy.
You can lose a reader in a blink of an eye. If a person is an engineer or chemist or an anthropologist or whatever, you spoil the whole book for that person if there's obviously ignorance here. What's wrong with so much science fiction is that the science is so lousy that it isn't worth paying attention to.
As a reader, when the writer gets sentimental, you drift, because there's something fishy going on there. You recognize a moment that's largely about the writer and the writer's own need to believe in something that might not in fact exist. As a reader, you think, 'Where did the story go? Where did the person I'm reading about go?'
As soon as I start to write I'm very aware, I'm trying to be aware that a reader just might well pick up this poem, a stranger. So when I'm writing - and I think that this is important for all writers - I'm trying to be a writer and a reader back and forth. I write two lines or three lines. I will immediately stop and turn into a reader instead of a writer, and I'll read those lines as if I had never seen them before and as if I had never written them.
Any writer who gives a reader a pleasurable experience is doing every other writer a favor because it will make the reader want to read other books. I am all for it.
I majored in journalism at Arizona State University, where I began writing the columns I write now, but I cannot, in good conscience, refer to myself as a writer. I'm a columnist, maybe a journalist, I guess I'm an author, but writer... no. That's not up to me to call myself, that's rather lofty. It's for the reader to decide.
I believe that, when [meeting of writer and reader] happens and the reader goes out into the world the next day, there's some alteration that might possibly inflect the person positively.
A writer stops writing the moment he or she puts the last full stop to their text, and at that point the book is in limbo and doesn't come to life until the reader picks it up and the reader flips the pages.
Books and newspapers assume a "common reader" that is, a person who knows the things known by other literate persons in the culture. Obviously, such assumptions are never identical from writer to writer, but they show a remarkable consistency
We must be forewarned that only rarely does a text easily lend itself to the reader's curiosity... the reading of a text is a transaction between the reader and the text, which mediates the encounter between the reader and writer. It is a composition between the reader and the writer in which the reader "rewrites" the text making a determined effort not to betray the author's spirit.
Humor is necessary - it allows the reader to come up for air before dunking them under again. I need humor and I need it on the page to keep the reader going.
I'm a writer because I love reading. I love the conversation between a reader and a writer, and that it all takes place in a book-sort of a neutral ground. A writer puts down the words, and a reader interprets the words, and every reader will read a book differently. I love that.
If you're doing a good job as author, then you get the reader to engage in whatever speculation might be called for. And it's much more meaningful for the reader, if he or she comes up with the questions.
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