A Quote by Isabel Allende
Agosins poetic language engages the reader in a mesmerizing journey of inward reflection and exile.
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Probably all of us, writers and readers alike, set out into exile, or at least into a certain kind of exile, when we leave childhood behind...The immigrant, the nomad, the traveler, the sleepwalker all exist, but not the exile, since every writer becomes an exile simply by venturing into literature, and every reader becomes an exile simply by opening a book.
The ambiguity of poetic language answers to the ambiguity of human life as a whole, and therein lies its unique value. All interpretations of poetic language only interpret what the poetry has already interpreted.
We are on a journey through the inward space of the heart, a journey not measured by the hours of our watch or the days of the calendar; for it is a journey out of time into eternity.
Poetic language features an iconic rather than a predominantly conventional relationship of form and content in which all language (and cultural) elements, variant as well as invariant, may be involved in the expression of the content.", "Analysis of the Poetic Text.
Our language is the reflection of ourselves. A language is an exact reflection of the character and growth of its speakers.
Poetic language is singularly appropriate for recounting the life of the king who is traditionally accepted as the author of the poetic psalms, some of which are included in the narrative.
The journey of true success and lasting leaderships begins with the inward journey to the soul.
The farther the outward journey takes you, the deeper the inward journey must be.
If there is anything good about exile, it is that it teaches one humility. It accelerates one’s drift into isolation, an absolute perspective. Into the condition at which all one is left with is oneself and one’s language, with nobody or nothing in between. Exile brings you overnight where it would normally take a lifetime to go.
I'm Jewish. That's all. So I am in exile all the time. Wherever we go, we are in exile. Even in Israel, we are in exile.
The longest journey is the journey inward.
It has often been observed that the repercussion of poetic language on prose language can be considered a decisive cut of a whip.
I can't use logic concerning my feelings, my feelings demand musical notes, violins, guitar solos, the stomping of feet, poetic language, metaphors, poetic lines about birds or deserts or tree-crowded forests.
[Albert Camus] really did know Algeria. He was an exile from his country, but still living in its language. Solitaire et solidaire. It's not like those who are exiled to a country where the language is not theirs.
Exile is a dream of a glorious return. Exile is a vision of revolution: Elba, not St Helena. It is an endless paradox: looking forward by always looking back. The exile is a ball hurled high into the air.
Nice writing isn't enough. It isn't enough to have smooth and pretty language. You have to surprise the reader frequently, you can't just be nice all the time. Provoke the reader. Astonish the reader. Writing that has no surprises is as bland as oatmeal. Surprise the reader with the unexpected verb or adjective. Use one startling adjective per page.
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