A Quote by Isabel Allende
The fact that I am a writer comes from the experience of being cut away from my roots and living in Venezuela, where I couldn't find a place for myself, for years and years.
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I think that the whole experience of living, breathing, thinking, and being lost in wonderment is, for me, that of being an artist. And the idea of identifying as someone who is just living and existing and making objects or paintings-somehow I moved away from that years and years ago.
I've come to find that I am definitely not cut out for the isolated writer thing, locking myself away and writing and bleeding over words alone. I'd rather share my pain with people.
Today it is not alive. What, then, is this experience of humanism? With the above survey I have tried to show you that the experience of humanism is that — as Terence expressed it — “Nothing human is alien to me”; that nothing which exists in any human being does not exist in myself. I am the criminal and I am the saint. I am the child and I am the adult. I am the man who lived a hundred thousand years ago and I am the man who, provided we don't destroy the human race, will live hundred thousand years from now.
It was total naivety that got me to Hollywood. I thought it was going to happen straight away. I told myself 'give it 5 years, there's no way I'll be here after that if it doesn't happen'. Cut to ten years later!
[The] Hopi earth does contain my roots and I am, indeed, from that land. Because the roots are there, I will find them. But when I find them, [my father] said, I must rebuild myself as a Hopi. I am not merely a conduit, but a participant. I am not a victim, but a woman.
The simple fact of being a human being is you migrate. Many of us move from one place to the other. But even those who don't move, and you stay in the same city, if you were born in Manhattan 70 years ago, you're born in Des Moines 70 years ago, you've lived in the same place for 70 years, the city you live in today is unrecognizable.
Two years passed, and I had no second book to follow 'Roots.' Four years passed, six years. When a decade had passed without me having another book to follow 'Roots,' I was having serious private frustrations with myself.
When you decide 'to be a writer,' you don't have the faintest idea of what the work is like. When you begin, you write spontaneously out of your limited experience of both the unwritten world and the written world. You're full of naïve exuberance. 'I am a writer!' Rather like the excitement of 'I have a lover!' But working at it nearly every day for fifty years ? whether it is being the writer or being the lover ? turns out to be an extremely taxing job and hardly the pleasantest of human activities.
Long hair is a security blanket for me. I cut it short a few years ago and I really never want to do that again. When I do cut it, I cut it myself.
I'm living in a world that was created a hundred years ago with vaudeville and people traveling around and medicine shows and things and making live music on stage and I'm still doing that. I like it that way. I like to present something to people that's had 40 years of being honed and perfected. It's something that you're not going to find with an artist who's been around for two or three years, or even ten years.
If you are a good writer you use your life experience to do something different than someone who is 20-years-old can do. That is where you get your power. That is our power as a group. I am not trying to make the same music I made 10 years ago.
Don't put down too many roots in terms of a domicile. I have lived in four countries and I think my life as a writer and our family's life have been enriched by this. I think a writer has to experience new environments. There is that adage: No man can really succeed if he doesn't move away from where he was born. I believe it is particularly true for the writer.
I've been writing for years, you know, and when I get to a particular place, city, or different locale, I find myself first of all being challenged by those that love me to write more.
I find it really liberating to be in a place where I am a foreigner in every way. I've lived with this all my life - this divide, this bifurcation. And in Italy, I don't feel it. There's none of that tension, only the expectation I place on myself to speak the language well. I find it relaxing. Something drops away, and I observe.
You can't love a person till you know him or her inside out, until you've lived with them and shared experience: sadness, joy, living - you've got to share living before you can find love. Being in love doesn't last, but you can find love to take its place.
Being in L.A., it was really hard to find a country writer and producer. I eventually - years of searching - found this guy, Dan Franklin. He's an incredible musician and producer. We write so well together... It's been a really cool experience.
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