A Quote by Isabel Allende

The fact that you own a gun and shoot to defend your life is a very American way of thinking. — © Isabel Allende
The fact that you own a gun and shoot to defend your life is a very American way of thinking.
Americans have a warrior's mentality, most of them. That's how this society was built. The fact that you own a gun and shoot to defend your life is a very American way of thinking.
If someone has a gun and is trying to kill you, it would be reasonable to shoot back with your own gun.
Wear a gun to someone else's house, you're saying, 'I'll defend this home as if it were my own.' When your guests see you carry a weapon, you're telling them, 'I'll defend you as if you were my own family.' And anyone who objects levels the deadliest insult possible: 'I don't trust you unless you're rendered harmless'!
Instead of it being the mark of a real man that you can shoot somebody at 50 feet and kill them with a gun, the mark of a real man is that you would never do anything like that. . . . The gun is a great equalizer because it makes wimps as dangerous as people who really have skill and bravery and so I'd like to have this notion that anyone using a gun is a wuss. They aren't anybody to be looked up to. They're somebody to look down at because they couldn't defend themselves or couldn't protect others without using a gun.
It should be a law. Everybody should legally own a gun. In fact, if you're caught outside your house without your gun, you get a ticket. And you get shot in the leg. Just to prove my point.
A lot of people refer to power as shooting a loaded gun. When you have to shoot the gun, you've lost the power. Other people's knowledge of your gun should be enough.
If I go home, get a gun, come back and shoot you, that may not be legal under New York law because you would have alternative ways to defend.
Prior to being mugged I did not feel I had to carry a gun. However, I knew how to shoot a gun very proficiently. As a boy, I used to play cowboys and Indians all the time.
My gun trainer on the first 'G.I. Joe' gave me about a week of commando training, so I got to shoot every single machine gun and hand gun there was.
I love thinking about mechanics and having your mind agree with the mechanics. Sometimes you can shoot it correctly, but your mind doesn't think that it's right. So it's like, how do you get your mind to trust that that's the right way to shoot it.
I think you have to have a real point of view that's your own. You have to tell it your way. And, I think that it's a mistake to shoot for a specific magazine's point of view because it's never going to be as good. You have to shoot for yourself and photograph [ the way] you believe it.
Because drug dealers shoot each other in London, Norfolk farmers can't have guns to defend their homes. I mean, no one wants a gun - except at 4am when they hear a strange sound in the kitchen.
It's very hard to sustain love, that's for sure. But the more you have your own life and your own self, and the less you give away who you are, the more men are attracted to you. The more desperate you are for a relationship, the worse it is to find a healthy relationship. Because the minute you become one-and-a-half people instead of two, it's a mess. Nobody's happy. Keeping your identity and having your own life and your own self, that's the only way I can make my life and sustain life.
...realize in your daily life that 'matter' is merely an aggregation of protons and electrons subject entirely to the control of Mind; that your environment, your success, your happiness, are all of your own making... All wealth depends upon a clear understanding of the fact that mind- thought - is the only creator. The great business of life is thinking. Control your thoughts and you control circumstance.
You cannot fully understand your own life without knowing and thinking beyond your life, your own neighborhood, and even your own nation.
I'm really specific in the way that I shoot. I've always had a very good sense of what I need in the editing room. I used to shoot in a way that drew more attention to the camera and I've tried, in each film, to draw less and less attention to the camera. I think when you pay attention to the shots, you're aware of the fact that there's a director.
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