A Quote by Isabel Allende
I have a foot here and a foot in some spirit world. There are many more layers to reality, and that permeates my life and my writing in a very natural way. I don't even think about it.
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A lot of women don't like when they're sort of fat, but a fat foot is as beautiful as a skinny foot. Think of Greek statues. Look how many people love the foot of the baby! There is something super-charming about the baby foot.
Nobody can take too many big hits, not even comparing someone 5-foot-8 'cause some of the 6-foot-3 guys still get knocked out, too.
Anne Lamott’s priest friend Tom, how to get through: "Left foot, right foot, left foot, breathe," he said. "Right foot, left foot, right foot, breathe." Salon April 25, 2003
I know that some are always studying the meaning of the fourth toe of the right foot of some beast in prophecy and have never used either foot to go and bring men to Christ. I do not know who the 666 is in Revelation but I know the world is sick, sick, sick and the best way to speed the Lord's return is to win more souls for Him.
My whole life, I've always had one foot in the classical world and one foot in the rock, pop, and folk world.
The traces of upheavals become more impressive when one moves a little higher, when one gets even closer to the foot of the great mountain ranges. There are still plenty of shell layers. We notice them, even thicker and more solid ones.
I did the long jump and hurt my foot. It was a stress fracture in the left foot, which even now, 12 years on, is the bane of my life.
When I left WWE, I had surgery on my foot. I had drop foot, where my foot was totally paralyzed. I had a tendon transfer and got nine screws in my foot.
My dreams tend to be like dog dreams. I'm usually so tired that I hardly dream at all. In a way, I do think that the zone one performs in - without getting too ooga-booga about it - it's like that moment when you wake up in the morning and you're emerging from a dream state but you're not quite up. Where are you? Can you hear the birds? Or is that the traffic? It's that zone in which I perform. It’s like one foot in reality and one foot in a dream state. I spend most of my life in that state!
I think that the board is a lot more intuitive than people assume. You get on it and all you have to do is put one foot on the tail and one foot on the nose and rock it up and down and that will get you into the tricks or wheelies or manuals. It's not about the balance so much as it is about the timing.
A 3-foot putt can be more nerve-racking than a 9-foot putt because a 3-foot putt you should be getting in. A 9-footer, there's a chance it won't go in.
I think all writing is about writing. All writing is a way of going out and exploring the world, of examining the way we live, and therefore any words you put down on the page about life will, at some level, also be words about words. It's still amazing, though, how many poems can be read as being analogous to the act of writing a poem. "Go to hell, go into detail, go for the throat" is certainly about writing, but it's also hopefully about a way of living.
One thing I love about guards in this league is that you can be a 5-foot-9 pit bull or a methodical 6-foot-7 jump-shooter, and still succeed in your own way.
Everything in Louisiana is about layers. There are layers of race, layers of class, layers of survival, layers of death, and layers of rebirth. To live with these layers is to be a true Louisianian. This state has a depth that is simultaneously beyond words and yet as natural as breathing. How can a place be both other-worldly and completely pedestrian is beyond me; however, Louisiana manages to do it. Louisiana is spooky that way.
I feel like I have one foot in New York, one foot in London and one foot in India. But it's important to me to invest time with family.
It's a different world: when I'm writing 'Toast,' I've got one foot in 1974 and one foot in the modern day, because the modern day is nowhere near as funny or interesting.
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