A Quote by Isabel Paterson
But when the good people do know, as they certainly do, that three million persons (at the least estimate) were starved to death in one year by the methods they approve, why do they still fraternize with the murderers and support the measures? Because they have been told that the lingering death of the three millions might ultimately benefit a greater number. The argument applies equally well to cannibalism.
Related Quotes
We go from birth to death. Three out of ten follow life. Three out of ten follow death. People who rush from birth to death are also three out of ten. Why is that so? Because they want to make too much of life.
The murderers of the three Bytyqi brothers, New York residents who were executed by Serbian Ministry of Interior personnel in 1999, have never been prosecuted. The U.S. government cannot accept that the murderers of three of its citizens go unpunished.
The way we deny death says something about how we live our lives, doesn't it? At least in Sweden or Scandinavia, you don't have to search further back in time than maybe three generations to find another way to relate to death. People then had a different, closer relationship with death; at least it was like that in the countryside.
If you don't live a life in service of a greater good, you've gotta at least die a death in service of a greater good, you know? And I fear that I won't get either a life or a death that means anything.
I've been told that I might make a good producer because I am very Type A, and I'm kind of a control freak, so I've been told that that might translate well into producing, so I would certainly be open to trying my hand at that.
We've sent 130 men to death row to be executed in this country, at least 130 that we know of, who have later have been exonerated because they were either innocent, or they were not fairly tried. That's 130 people that we've locked down on death row. And they've spent years there.
There is no single best kind of death. A good death is one that is "appropriate" for that person. It is a death in which the hand of the way of dying slips easily into the glove of the act itself. It is in character, ego-syntonic. It, the death, fits the person. It is a death that one might choose if it were realistically possible for one to choose one's own death.
I looked more widely around me, I studied the lives of the masses of humanity, and I saw that, not two or three, or ten, but hundreds, thousands, millions, had so understood the meaning of life that they were able both to live and to die. All these people were well acquainted with the meaning of life and death, quietly labored, endured privation and suffering, lived and died, and saw in all this, not a vain, but a good thing.
For years, I have been stalked by a bad reputation. Actually, I have been pursued by people who have regarded me as the 'Death and Dying' Lady. They believe that having spent more than three decades in research into death and life after death qualifies me as an expert on the subject. I think they miss the point.
When in doubt, the rule of threes is a rule that plays well with all of storytelling. When describing a thing? No more than three details. A character's arc? Three beats. A story? Three acts. An act? Three sequences. A plot point culminating in a mystery of a twist? At least three mentions throughout the tale. This is an old rule, and a good one. It's not universal - but it's a good place to start.
When the red wrath perisheth, when the dulled swords fail, These three who have walked with Death these shall prevail. Hell bade all its millions rise; Paradise sends three: Pity, and Self-sacrifice, and Charity.
His argument is as thin as the homeopathic soup that was made by oiling the shadow of a pigeon that had been starved to death.
I was born on January 8, 1942, exactly three hundred years after the death of Galileo. I estimate, however, that about two hundred thousand other babies were also born that day. I don't know whether any of them was later interested in astronomy.
In theater they want to put you on a contract a year in advance and I don't really like that. That's the reason why I became an actor - I like the freelance work. It's interesting, I like not being told what to do still, and I have a job where people tell me exactly what to do, so maybe I don't know myself as well as I want to. I think my last play I did was three years ago.
In the history of the concept of number has been adjective (three cows, three monads) and noun (three, pure and simple), and now ... number seems to be more like a verb (to triple).
This book was not written because I wanted to offer a supreme model to the man who struggles; I wanted to show him that he must not fear pain, temptation or death - because all three can be conquered, all three have already been conquered. Christ suffered pain, and since then pain has been sanctified. Temptation fought until the very last moment to lead him astray, and Temptation was defeated. Christ died on the Cross, and at that instant death was vanquished forever.
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