A Quote by Isabel Wilkerson
My parents absolutely did not think of themselves as part of the Great Migration. They knew they were part of a great wave. No one really talked about it in those terms or gave it a name.
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The suburbanization and the ghettos that were created as a result of the limits of where [African-Americans] could live in the North [still exist today.] And ... the South was forced to change, in part because they were losing such a large part of their workforce through the Great Migration.
I think it's great to be talked about as a woman film-maker. It's part of who I am; it affects me daily. I want it to be part of the conversation. I'm for any scheme or initiative that gives women a way in.
I did swimming, gymnastics, dance, and the acting was just a small part. I didn't have pushy parents; it wasn't forced upon me. They just said, 'See if you like it. If you do, great; if you don't, don't worry about it.' I was really fortunate to have that guidance and supportive parents.
At the beginning of the 20th century, before the migration began, 90 percent of all African-Americans were living in the South. By the end of the Great Migration, nearly half of them were living outside the South in the great cities of the North and West. So when this migration began, you had a really small number of people who were living in the North and they were surviving as porters or domestics or preachers - some had risen to levels of professional jobs - but they were, in some ways, protected because they were so small.
What did falling in love do for you? Can you ever really explain it? It filled empty spaces I never knew were empty. It cured a loneliness I never knew I had. It gave me joy. And freedom. I think that was the most amazing part. I suddenly felt both embraced and freed at the same time.
Growing up as an athlete, I started skating very young. My parents didn't know anything about the sport, so they went with the flow. I had two great coaches who gave great advice and gave guidelines for my parents. My parents let the coaches dictate what was going on on the ice.
Fidel Castro just talked a long time, and he talked and he talked and he talked and he talked... and he talked during the meeting. I think it was about four hours. But I guess that's part of the Castro spirit.
I think we need great artists making great work - women, men, whoever. I think what's great about TV now is there are so many different platforms that you can make really specific, specialized content. I wouldn't have gotten this part because I'm not really considered a "traditional romantic lead," so I created it for myself.
I was really fortunate. I don't believe in luck so I was really fortunate. God really blessed me in terms of my health. ... I was really healthy. But I tried to do my part in terms of preparation, in terms of perseverance. I tried to do my part to make sure that I was always ready to play and try to stay ahead of the game. I tried to beat people with my mind. I wasn't the biggest or the one that jumped the highest, but I had a real high basketball IQ and I knew it. ... I was a student of game and tried to prepare and be professional and have a good attitude. All of those things helped me have a long career.
Migration is as natural as breathing, as eating, as sleeping. It is part of life, part of nature. So we have to find a way of establishing a proper kind of scenario for modern migration to exist. And when I say 'we,' I mean the world. We need to find ways of making that migration not forced.
When you ask people what it is like being part of a great team, what is most striking is the meaningfulness of the experience. People talk about being part of something larger than themselves, of being connected, of being generative. It becomes quite clear that, for many, their experiences as part of truly great teams stand out as singular periods of life lived to the fullest.
It is my greatest joy to live a really good part, even though it imposes great strain. An artist is tired but proud when he has created a great work of art. So it is with the actor who really lives a great role and is proud of the part he played.
I've been really lucky to come up the time I did, to live in California when I did, and to be a part of the generation of players we were and the great coaching we got. All of it really came together.
I think a lot about race and the burdens of representation. There's an idea that because I'm writing a book set around the time of the Great Migration, and happen to be black, I'm trying to write a definitive account of the Great Migration, the so-called "black experience." That's not what I'm doing, and it can be frustrating.
We have home videos that are really great tape on my parents being hysterical. So I think I always knew that my parents were funny, so I think that I always felt comfortable using comedy in my real life.
I remember a very nurturing, safe environment: everybody knew who I was, who my parents were, who my grandparents were, what part of Russia we were from originally. That was a really comforting feeling. Non-Mennonites, when they see that aspect of it, think it's a beautiful thing, and it is, but there's so much going on besides.
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