A Quote by Isabella Bird
The 'Desert' sweeps up to the walls of Baghdad, but it is a misnomer to call the vast level of rich, stoneless, alluvial soil a desert. It is a dead flat of uninhabited earth; orange colocynth balls, a little wormwood, and some alkaline plants which camels eat, being its chief products. After the inundations, reedy grass grows in the hollows.
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Removing the weeds, putting fresh soil about the bean stems, and encouraging this weed which I had sown, making the yellow soil express its summer thought in bean leaves and blossoms rather than in wormwood and piper and millet grass, making the earth say beans instead of grass, - this was my daily work.
I always thought that people who live in the desert are a little crazy. It could be that the desert attracts that kind of person, or that after living there, you become that. It doesn't make much difference. But now I've done my 40 years in the desert.
Green grass grows where dry desert ends.
The desert is so vast that no one can know it all. Men go out into the desert, and they are like ships at sea; no one knows when they will return.
The desert seems to be a brown wasteland of dry, prickly scrub whose only purpose is to serve as a setting for the majestic saguaros. Then, little by little, the plants of the desert begin to identify themselves: the porcupiny yucca, the beaver tail and prickly pear and barrel cacti, buckhorn and staghorn and devil's fingers, the tall, sky-reaching tendrils of the ocotillo.
Set in the remote and harsh high desert landscape of Idaho, Outpost is an artist live/work studio and sculpture garden for making and displaying art. An important aspect of the complex is the protected paradise garden, which is separated from the wild landscape by thick masonry walls. The materials used in the structure, including concrete block, car-decking, and plywood, require little to no maintenance, and are capable of withstanding the extreme weather that characterize the desert’s four seasons.
Over the summit, I saw the so-called Mono desert lying dreamily silent in the thick, purple light -- a desert of heavy sun-glare beheld from a desert of ice-burnished granite.
The test of a round character is whether it is capable of surprising in a convincing way. If it never surprises it is flat. Flat characters ... in their purest form ... are constructed round a single idea or quality; when there is more than one factor to them, we get the beginning of the curve toward the round. The really flat character can be experessed in one sentence such as, "I will never desert Mr Micawber." There is Mrs Micawber - she says she won't desert Mr Micawber; she doesn't, and there she is.
The knowledge that refuge is available, when and if needed, makes the silent inferno of the desert more easily bearable. Mountains complement desert as desert complements city, as wilderness complements and completes civilization.
There's a tree that grows in Brooklyn. Some people call it the Tree of Heaven. No matter where its seed falls, it makes a tree which struggles to reach the sky. It grows in boarded-up lots and out of neglected rubbish heaps. It grows up out of cellar gratings. It is the only tree that grows out of cement. It grows lushly . . . survives without sun, water, and seemingly without earth. It would be considered beautiful except that there are too many of it.
How are we to live with the desert, in the desert, within the desert?
If this practice [of totalitarianism] is compared with […] [the desert] of tyranny, it seems as if a way had been found to set the desert itself in motion, to let loose a sand storm that could cover all parts of the inhabited earth.
The conditions under which we exist today in the field of politics are indeed threatened by these devastating sand storms.
I didn't want to do movies with hundreds of camels crossing the desert followed by tanks and this and that.
I will fill myself with the desert and the sky. I will be stone and stars, unchanging and strong and safe. The desert is complete; it is spare and alone, but perfect in its soltitude. I will be the desert.
To me, desert has the quality of darkness; none of the shapes you see in it are real or permanent. Like night, the desert is boundless, comfortless, and infinite. Like night, it intrigues the mind and leads it to futility. When you have flown halfway across a desert, you experience the desperation of a sleepless man waiting for dawn which only comes when the importance of its coming is lost.
A glacier rattles in the cupboard, the desert sighs in the bed, and the crack in the teacup opens a door to the land of the dead. The Maya call this Xibalba (Shibalba), the road to the dimension of the dead.
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