A Quote by Isabella Bird

My first experiences of Colorado travel have been rather severe. At Greeley, I got a small upstairs room at first, but gave it up to a married couple with a child, and then had one downstairs no bigger than a cabin, with only a canvas partition. It was very hot, and every place was thick with black flies.
There was great political uncertainty in South Asia at the time of the Buddha. The older small tribal societies were cracking up and gave way to bigger states. There was much more trade and travel going on than before. To people in the cities the experience of living in a small place where you knew everyone and governed your affairs by consensual democracy had been lost.
First Team All-Defense, that was great, that was one of my goals coming into this league, and I've got that a couple times. But First Team All-NBA, that's bigger than a lot of things; that's bigger than being an All-Star.
As far as memories go, I was around for the very first WrestleMania. I was a young kid upstairs at my uncle's restaurant in a change room or staff room watching it, I think, illegally, on a black and white television.
The roots of a child's ability to cope and thrive, regardless of circumstance, lie in that child's having had at least a small, safe place (an apartment? a room? a lap?) in which, in the companionship of a loving person, that child could discover that he or she was lovable and capable of loving in return. If a child finds this during the first years of life, he or she can grow up to be a competent, healthy person.
I grew up in Greeley, Colorado, in a house without a television set. I was a very nerdy kid: I used to play 'astronaut' and eat bouillon as astronaut food. We also had tons of books.
For the first time in our history, every spectrum of black thought is in the same room on the same page with a cause bigger than our persons, bigger than our organizations, and the cause is to ease the suffering of the masses of our people.
[Maigret Sets a Trap] was always going to be the first film, and it seemed to be quite a nice story. But of course it meant that here I was playing this new character for the first time, in a place where he had been a relative failure, as all these people had been murdered and the pressure was on. Rather than starting optimistically with his pipe in front of the fireplace, he was in quite a difficult place.
First the body has to become utterly relaxed, like a small child, then only start with the mind. Move scientifically: first the simplest, then the complex, then the more complex. And then only can you relax at the ultimate core.
There's a cabin in Oregon I go to, which belonged to my parents. It's never been winterized. It's not a place you want to be after the first of October or before the first of June. I go for about three weeks every summer.
Now it's time to play a brand new game called Name That Barcode. Here's the first one: "Thick black, thin white, thick black, thick white, thick black, thin white." OK who's going to identify that?
The other thing that I got back then - the Parker novels have never had much of anything to do with race. There have been a few black characters here and there, but the first batch of books back then, I got a lot of letters from urban black guys in their 20s, 30s, 40s. What were they seeing that they were reacting to? And I think I finally figured it out - at that time, they were guys who felt very excluded from society, that they had been rejected by the greater American world.
We were a very politically active family. My father was one of the first lawyers in South Africa to have a black partner, so I grew up very aware of the struggle going on. Coming from that background, it really gave me chills to have my music be a part of the election of the first black American president.
Studing jewelry gives you an incredible technical background. If you can work on very, very small things, then, I think, typically you find it easier to go bigger rather than the other way around. I think a lot of architects have struggled with small things. Whereas if you start small, it's easier to get bigger.
I always performed when I was a child. My parents got very annoyed, because my brother and I had our little bedrooms upstairs, and I would plaster the house with posters with arrows pointing upstairs.
I always knew I wanted to have children of my own. I met my husband Daniel when I was 23; we were married when I was pregnant with my first child, Ossian. We've had our ups and downs like every couple, especially when we were younger.
I turned to the Partition experiences, which were churning in my mind. Then came my first novel Train to Pakistan.
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