A Quote by Isabella Rossellini
I live my everyday life as a person, and I react to my photos from a certain distance. When I look at a photo, I detach myself and look at it as a product - not as me, Isabella.
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I look at photos of the Sochi Olympics - even though it sometimes seems like it was just yesterday - that photo doesn't even look like me. It looks like a child. I don't even recognize myself.
When I am talking to people from Germany, we should know that there are certain things and certain histories that are very important for people. If you look at all the Muslims living in the West, they didn't react in a violent way. They don't like what they saw but they are citizens like you and me and they look at it and say: "This is a silly video but we are not going to react."
When you look at a photo twenty years from now, if you look at a photo of a moment in your life, or some friends, or yourself, you just have a lot more information about what that memory was. That's exciting to me. It's like a form of time preservation, I suppose.
I have so much hair, so straightening takes a long time. I mean, if I look at photos of myself with straight hair, it's hilarious. I look like a different person.
My style is in the 21st century. If you look at the process, it goes from photography through Photoshop, where certain features are heightened, elements of the photo are diminished. There is no sense of truth when you're looking at the painting or the photo or that moment when the photo was first taken.
I never like photos of myself in the beginning. I live with them for three months, put them in a drawer, take them out and look again. I hate the way I look, but of course it's really not that bad.
I can't speak for everybody, but sometimes, people get in this showbiz game and they get the money, but then they forget why they got in the game in the first place. I don't even look at it as fame, I just look at it as me being me, and me going out here everyday and being productive, because I am the product, and I'm selling myself. I'm selling my ambition and my integrity and my adversity, and I'd just like to be that.
There are some fabulous treasures of photos of me during the early days of my career; there are these pin-up photos that make me laugh: I look like the poor man's Maria Montez. But there are some I look at, and I didn't realize how sexy I looked back then.
I've just always been that kid that was like, "Look at me! Look at me!," and doing performances and skits. I'm also, as most artists are, a very sensitive person, so I need that outlet to release that. Art needs to be in my life, otherwise I can't function as a human being. I heard Madonna say, "Live it, breathe it, eat it." That's how I am with the artistic part of myself.
A photo is like a map, a way of giving me a foot into a kind of reality I want... I'm not trying to make paintings look like photos. I want to make paintings using photos as a reference, the way painters did when photography was first invented.
Learning that aesthetic as a kid - seeing those photos - made me think that that's what photos are supposed to look like. I never understood snapshots. I was looking at them like, "This is horrible; that's not what a picture is supposed to look like." I was taught by these photos. So when I picked up the camera, though I had never done it before, I kind of already knew what I was doing.
Look, we all know how hard it is for us to - I'm going to speak for myself - find a still photo of yourself that you like. Like how many times do people send photos and you're like, "Oh burn it."
You look down when you talk to a headstone! When you talk to a live person, you look up!
I'm still alive! So treat me like it!
Look at me!
The photo shoot I always feel a bit embarrassed about because I don't really know what to do with myself, but they usually don't use a bad photo, so you can't worry too much. So my main concern is that I just look a bit more like myself.
People live and work in uninspiring environments, but look inside those rooms. Look at the painted walls and the decorations. People rebel even in the most controlled office environment in which they're not allowed to do anything. You see the little bulletin board in front of a person's desk with their photos, clippings, cartoons and whatever else.
I don't know about the hair. I've had it since I was a kid, and when I look at myself in the mirror, it looks quite normal. But then when I look at myself in a photo, I realise that my hair is basically bigger than my head! There's quite a lot of interest in my hair, which is strange, as for me, it's normal!
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