When I was a teenager, I thought maybe I'll be a filmmaker, making film documentaries. My dream when I was a girl was I would be hired by 'National Geographic' or work with David Attenborough, but it didn't happen. I became a model.
From a young age, I wanted to play in the NBA. Oh well... It was when I was a senior in college that I fell for film, but even then, it wasn't documentaries. It wasn't until I ended up in graduate school at Southern Illinois University that I really discovered documentaries and thought that maybe that would be my calling.
I became interested in film as a viewer when I was a teenager. I would spend entire afternoons in an arthouse theater in downtown Santiago. I didn't really expect to be a filmmaker back then. But it was clearly an interest.
I think that, as a filmmaker, you're always making the same film, regardless of how many different stories you tell. This is the case for me, whether I'm making documentaries or fiction films.
My big dream was to work as a photographer for 'National Geographic.'
The luxury that I have is I'm not career-minded, I just live from one film to the next. For a time, I was making documentaries, and all my documentaries were winning awards and stuff, and then I lost interest in documentaries.
Though Geographic didn't publish that photo in the story that it was done for, "The Life of Charlie Russell," a cowboy artist in Montana. But later, maybe a year and a half ago, they named it one of the 50 greatest pictures ever made at National Geographic.
I suddenly realize why David Attenborough is the giant he is. It is not just his geographic curiosity, not just his anthropological understanding, not just his gift for narration that simultaneously calms the soul and inspires the mind. It is that behind it all there is such a deep thinker.
I love National Geographic. Just when you think you've seen the last lost native tribe, National Geographic will find a new one.
I'm just a girl from a trailer park who had a dream. I never thought this would ever happen.
It was a pleasure to work alongside Sir David Attenborough and Hans Zimmer.
Everyone thinks it would be great to work for National Geographic. So did I.
I didn't get as much attention as I wanted from girls as a teenager. I thought that if I became a rock star, I would finally get all that I wanted - but it didn't happen.
I became a cover girl and an editorial model, and then I became a runway model.
It was a complete dream to work with David LaChapelle. I collected his books as a teenager, and I fantasised that he would direct the video for 'Spectrum' from the moment the song was written. I still can't believe it actually happened, ?and I'm completely overjoyed that he felt such a connection with the song.
I actually went to Wimbledon, and David Attenborough was sat in the row in front of me, and I thought that was quite amazing. That's insane, isn't it? He's, like, a proper person.
I always take hundreds and hundreds of pictures. I used to work for 'National Geographic,' and they gave us a lot of film.