A Quote by Isabella Rossellini

There are consequences with age, so you have to evolve. I've loved becoming a filmmaker. But I would love to continue modeling, and there isn't really any job for me. It's being marginalized - that's the sad part.
It was around the age of 18 when I started to feel like I had learned everything I could learn from being a model - modeling is a really incredible form of expression, but I got into modeling because I loved fashion so much and I really loved photography.
As I continue to evolve as a filmmaker, I'm going to continue to do different stuff.
Modeling is also the first job I've ever had where it's my job to love myself. While many people think that modeling would chip away at your self-esteem, it's actually bolstered mine tenfold.
I would love to continue to model. It just depends on what opportunities I get, of course, I want to always stay true to who I am and make sure in everything I do God is getting the glory. If modeling is one of those things that keeps presenting itself to me, I would love to do it and continue to get more involved.
I'm at the point in my career now, where I can take a bit of time to find exactly what roles are that I want to do and not work myself into a corner. I love acting and I love who I'm becoming, as I evolve as a human being. My work is an important part of me, which may or may not be healthy, so I need to do things that I love. I want to tell interesting stories, discover things about myself, and other people. The only way to do that is to not take jobs that feel repetitive or boring to me because then you're stuck doing that job instead of finding the thing that speaks to you.
I mean, I would have loved to have kept on being a big television star. If that's the way things would have broke, I would have loved to have done that. I just didn't really want to continue and be someone who took whatever was offered.
I never was that boy who loved gangster films, but when I was growing up, I was obsessed with the detective Dick Tracy. It was one of my favourite movies as a kid, and he really inspired me. I would have loved to be part of that golden age of Hollywood in the 1940s. It made me want to become an actor.
My parents would love to keep me near. They're protective, and they want their little girl home, but I feel that a smart move would be for me to go to college in New York and continue modeling there.
My job as an actor, and the part of my job that I love is the transforming-and-becoming aspect of it, and so it doesn't become about me anymore.
Without mentioning any names, there was a film that was being done, and I ran into the producer on the plane. It was a book that I really, really loved, and I said, 'I'd love to be a part of this.' And they made it clear that that was not going to be possible - for no particular reason other than that there was just no part for a black person.
The love of a child is different from any other type of love on the planet. And being loved by your children is a love that is immense. I'm always so overwhelmed by how much my children love me. I think the best part of being a parent is feeling the love of a child.
For me, being Christian Armenian, born into the Islamic culture in Iran and then, at the age of 13, being sent to England and embracing the English culture and becoming part of so-called swinging London and the era of euphoria and celebration that the '60s represented is very critical. It was a moment when, for the first time, the business of internationalism was being effectively represented-in music, art, cinema, design. Before that, everything was directed toward the old industry, the old school, the old format, and there was no room for varieties to evolve.
Modeling's actually been treating me a lot better at age 24 than when I was 21. Young girls get their hopes up and have fifteen minutes of fame; it's really sad, because there are very few models who last anymore.
When I was a kid, probably 16 or 17, I got spotted by a model scout that wanted to represent me, and they sent me one modeling job, for Wall's ice cream. I did one job for them, and then a catwalk shoot for Kangol caps, and decided modeling was not for me.
I loved 'Pulling.' It was so original and hilarious. I remember being very sad when it finished. I'd love to start a campaign to bring it back, but if I did, the actors would probably say, 'We're fine. We're all really busy, thanks. Please don't!'
'Saw' was good and bad. It was good in that it gave me a career start, but it was also negative in that it really marginalized me as a filmmaker.
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