A Quote by Isabelle Adjani

I believe you can't be an actor if you haven't had the feeling of being abandoned as a child. — © Isabelle Adjani
I believe you can't be an actor if you haven't had the feeling of being abandoned as a child.
I had a real feeling of being fated to be an actor and do my work, and I remember so much speaking up in a room full of people who authentically knew as much or more than me, and feeling like I was absolutely equal, and what I had to say was important.
I was definitely acutely aware, the transition of being seen as a child actor to being taken seriously as an adult actor. It's not always a smooth one.
Being an immigrant myself, but feeling very American, and also being the child of immigrants, I understand the feeling of wanting a home.
It's hard to explain why exactly, but I think that when I began writing plays, it was from an actor's point of view more than anything. I had the feeling that if you put yourself in the position of the actor on stage and write from that perspective, it would give you a certain advantage in terms of being inside of the play.
I had a teacher in Paris, who said that if an actor forgot what it's like to play as a child he shouldn't be an actor. I've always loved being with children. It's marvellous to see the fresh ways they see the world. Watching them look at a tree or a river helps you to understand something that's very important.
I believe that maturity is not an outgrowing, but a growing up: that an adult is not a dead child, but a child who survived. I believe that all the best faculties of a mature human being exist in the child. . . that one of the most deeply human, and humane, of these faculties is the power of imagination.
As an actor, you always want to reach back to being a child and having the spontaneity and the imagination of a child.
Many times, though, when people feel as if The Uni-verse has abandoned them, the truth is that they have abandoned their dreams, and as a result they have abandoned The Uni-verse. What we think is being done TO US, we are actually doing TO ourselves. It's a totally crazy reversal that is true most of the time.
Dakota Fanning is a child, but she is a wonderful actor. I don't know what a child actor is. She's an actor who's a child.
I used to think that what scared me was the idea of being abandoned until someone said to me, 'Only children can be abandoned. Adults can't be abandoned because we have a choice. Children don't have a choice.'
I used to think that what scared me was the idea of being abandoned until someone said to me, "Only children can be abandoned. Adults can't be abandoned because we have a choice. Children don't have a choice."
Being an actor somehow can be a perverse extension of that feeling we generally all have as children, that feeling of wanting to please. Of course you're looking for affirmation, encouragement.
What's with the whole 'child actor' and 'teen actor' thing? You're either an actor or actress, or you're not. I don't get it! I want to be taken seriously as an actor.
I know,” said Peter. “Perhaps better than anyone. But you can’t stay a child forever. To choose to speak into Echo’s Well is to choose illusion. To choose to avoid the responsibilities of being an adult. The real trick—the real choice—is to keep the best of the child you were, without forgetting when you grow up. “It is the best of both worlds, Jack. Being a child is to believe in magic everywhere… “…but even Peter Pan had to grow up one day.
I believe singing should be like being an actor. People shouldn't have any problem buying an actor being in a comedy or a drama or a horror film. That should be the same way with music.
Growing up and being a kid, I knew that creativity was at the heart of what I wanted to do. I always had this feeling of wanting to be a comedian and wanting to be an actor.
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