A Quote by Isabelle Adjani

If my life hadn't itself been a modern adaptation of 'Les Atrides,' I probably would never have left the theatre. — © Isabelle Adjani
If my life hadn't itself been a modern adaptation of 'Les Atrides,' I probably would never have left the theatre.
Theatre has always been my passion. It never happened to me that theatre took a back seat in my life. I have never stopped doing it even after joining the film industry, and I intend to perform it lifelong.
A lot of my friends were a lot into theatre a lot earlier than I was. A lot of my friends were kids who were in The Broadway Kids and the kids auditioning for Gavroche in 'Les Miz.' I was never that kid. I was weaned on Michael Jackson. Not literally, because that would have been odd.
Les Mis' was an amazing experience, to be in the original cast of 'Les Miserables,' and 'Chitty Chitty Bang Bang' God bless it that was fantastic, at the London Palladium the biggest theatre in London the most successful show that has ever been at the London Palladium, that was fantastic.
I have been involved with theatre since I was 13. I never seriously thought I would get into movies though I had every intention of continuing with theatre.
Virtually all my conscious life I had been involved in theatre - I had been a child actor - but as a young man who had experienced the 1960s, British theatre seemed remote from my aspirations in life - theatre was still a posh thing, a middle-class thing, something for an elite.
I would do theatre till I die. Theatre keeps your honesty alive. You can't pollute yourself. You learn a lot, and you use theatre techniques in life.
I would play in any number shirt for Newcastle United, but the No 9 at Newcastle is something very special and I've always wanted to wear it. I mentioned it to the manager, he mentioned it to Les and Les has been very kind and given it to me.
The truth is rarely pure and never simple. Modern life would be very tedious if it were either, and modern literature a complete impossibility!
I have an Honors Degree in Drama from the University of Alberta, but when it was done I knew a life in modern theatre was not for me. While figuring out what the hell I might do instead of theatre, I spent a couple of days on a horror film doing stunt work. I'd never been behind the camera before, and I loved everything about it. I joined the local film co-op - The Film and Video Arts Society of Alberta - because you could trade skills for experience. These indie filmmakers were making their own stuff their own way, all the time. Instant education.
When you get out of the driver's seat, you find that life can drive itself, that actually life has always been driving itself. When you get out of the driver's seat, it can drive itself so much easier-it can flow in ways you never imagined. Life becomes almost magical. The illusion of the “me” is no longer in the way. Life begins to flow, and you never know where it will take you.
Before I worked on film, I studied the theatre, and I expected that I would spend my whole career in theatre. Gradually, I started writing for the cinema. However, I feel grateful towards the theatre. I love working with spectators, and I love this experience with the theatre, and I like theatre culture.
I never thought I'd be one of those old hams who favours theatre over everything, but I'm getting that way. Telly and film seemed more fun when I was younger; turning left on planes and washing up in nice places. But there are things that you only learn in theatre.
There's a great charm in theatre; I enjoyed doing it for twelve years and did lots of plays. At this chapter of my life, I am a cinema actor, and I would like to continue to be so, and at some point I would return to the theatre.
I never studied theatre; I learned it by doing it. If I had studied theatre, I would not be making the kind of theatre I am making.
Je ne crois que les histoires dont les te moins se feraient e gorger. I only believe in histories told by witnesses who would have had their throats slit.
Left to itself the masculine imagination has very little appreciation for the here and now; it prefers to dwell on what is absent, on what has been or may be. If men are more punctual than women, it is because they know that, without the external discipline of clock time, they would never get anything done.
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