A Quote by Isabelle Huppert

When you come to do the film, it is not the time to wonder why you do it. It's just how to do it — © Isabelle Huppert
When you come to do the film, it is not the time to wonder why you do it. It's just how to do it
When you come to do the film, it is not the time to wonder why you do it. It's just how to do it.
I probably learned, being in 'Taxi Driver' before I made my first film, I would come to the set every day just to watch how that film came about. It's like a graduate course: it's terrific. You talk to the cinematographer during the breaks. You ask the electrician why they are doing this.
I'm a big believer in doing things that make you uncomfortable. So, we live in a world where we want to be as comfortable as we can. And we wonder why we have no growth. We wonder why - when the smallest thing in our life gets difficult - we wonder why we cower and we run away.
The kind of sleep that I had during my own film [Certified Copy] screening in Cannes is different. It's not because of the specificity of the film. It was because of my relationship as an author to this film. Usually when I take my films to festivals, I feel incredibly anxious about them. I wonder how it will be received, how the audience will react. I feel deeply responsible for them. Whereas this time, I didn't have that responsibility on my shoulders.
Why is the world round? Why do the suckas bite? Why do the freaks come out at night? Why they paint Jesus white? I sit and wonder why we breakin hip-hop laws, Doing videos in houses that we know ain't yours.
When I became the chair of the British Film Institute, I didn't understand how much of my time would be taken up with trying to make a case for the British Film Institute: what it's for, why it exists, why it needs its money.
You come to a certain age in life and wonder, 'I am holding back for what?' Why not just say it?
If there is life out there that's so much more advanced than we are, and they know either how to travel great distances in short amounts of time, or they're able to come from a parallel universe into ours, why don't they just come and show themselves?
When you come to Parliament on your first day, you wonder how you ever got here. After that, you wonder how the other 263 members got here.
My first film was a big dud at the box office, and my second film did decently. I used to wonder how it would feel to have a hit film. I thought I'd be larger than life, but I'm not feeling anything I imagined. It's a completely different experience.
Some plays just come out of me, just on instincts. I'll make a play and wonder, How did I do that?
Aristotle said that philosophy begins in wonder. I believe it also ends in wonder. The ultimate way in which we relate to the world as something sacred is by renewing our sense of wonder. That's why I'm so opposed to the kind of miracle-mongering we find in both new-age and old-age religion. We're attracted to pseudomiracles only because we've ceased to wonder at the world, at how amazing it is.
They too wonder about the nature of existence, where they've come from and where they're going to and how much time they have.
I often wonder why people remake movies. Is there just a lack of imagination out there that they can't come up with an original idea?
On the outside, America looks like this great melting pot, but on the inside, there's this segregation in American cinema. Why does a Latino film have to be for Latinos? Why is a black film just for black people? Why?
Sometimes I wonder why I'm not working at McDonald's and how come I have the life I have. I don't know. But I'm happy that I have these choices. That's kinda sappy, huh? But whatever, acting beats pumping gas.
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