A Quote by Isabelle Huppert
Balzac, you know, our great Balzac, he wrote interesting things about how in literature you keep distance in order to express great feelings. You have to keep a distance - and it's exactly the same with acting.
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It is scarcely exaggeration to say that if one is not a little mad about Balzac at twenty, one will never live; and if at forty one can still take Rastignac and Lucien de Rubempre at Balzac's own estimate, one has lived in vain.
I cannot judge my work while I am doing it. I have to do as painters do, stand back and view it from a distance, but not too great a distance. How great? Guess.
One of the things about Fleetwood Mac is, when we're not together, we don't talk a lot or keep in touch. We keep a healthy distance.
I learned how to have a little bit of distance when I explained songs and a little bit of distance when I wrote them. I think this is more interesting any way in art.
I've always been a great believer that you have to keep producing new things in order to keep life interesting - not only for ourselves, but for the audience as well. That's really always been our principle and way of working.
Dignity, high station, or great riches, are in some sort necessary to old men, in order to keep the younger at a distance, who are otherwise too apt to insult them upon the score of their age.
A near win shifts our view of the landscape. It can turn future goals, which we tend to envision at a distance, into more proximate events. We consider temporal distance as we do spatial distance. (Visualize a great day tomorrow and we see it with granular, practical clarity. But picture what a great day in the future might be like, not tomorrow but fifty years from now, and the image will be hazier.)
My film is actually very critical of the level of French we're using back home. To have an immigrant from an ancient French colony come and do that is a little critical of our education system back home. Balzac is definitely over their heads. It's meant to be funny also because it would be also probably too much for kids in France, but kids in France would know who Balzac is. But, back home at that age, I guarantee you they don't know who he is.
Life's tallest order is to keep the feelings up, to make two dollars' worth of euphoria go the distance. And life can't do that. So fiction does.
That politeness which we put on, in order to keep the assuming and the presumptuous at a proper distance will generally succeed. But it sometimes happens that these obtrusive characters are on such excellent terms with themselves that they put down this very politeness to the score of their own great merits and high pretensions, meeting the coldness of our reserve with a ridiculous condescension of familiarity, in order to set us at ease with ourselves.
Now we're like planets, holding to each other from a great distance. [...] Now we're hundreds of miles apart, our short arms keep us lonely, no one hears what's in my head. [...] It's March, even the birds don't know what to do with themselves.
Most guys I know are assholes. I have some great asshole friends, but that's not the point. Friendship has got nothing to do with that. It's can you hang, can you talk about this without any feeling of distance between you? Friendship is the diminishing of distance between people. That's what friendship is, and to me it's one of the most important things in the world.
Horses know how to be loyal but still keep their distance.
When writers are self-conscious about themselves as writers they often keep a great distance from their characters, sounding as if they were writing encyclopedia entries instead of stories. Their hesitancy about physical and psychological intimacy can be a barrier to vital fiction. Conversely, a narration that makes readers hear the characters' heavy breathing and smell their emotional anguish diminishes distance. Readers feel so close to the characters that, for those magical moments, they become those characters.
The only street I like is Rue Honore de Balzac, because 'Balzac' sound so gay, and I love my gays. I might like Parisians more if they named their streets only for gay icons, like Rue Liza Minnelli or Rue Bette Midler or, my favorite, Rue McClanahan.
I have a song on my album called 'Distance' which I wrote in the pandemic all about not being to see my partner and having a sense of physical - and social - distance.
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