A Quote by Isabelle Huppert

In a very complex way, things have improved in the dramatic field. Before you had the good and the bad and you couldn't mingle them. Now it's more ambiguous. — © Isabelle Huppert
In a very complex way, things have improved in the dramatic field. Before you had the good and the bad and you couldn't mingle them. Now it's more ambiguous.
I'm not the type of person who feels bad about things before. I choose what to do at the moment, and I have a very good reason for it; otherwise, I don't do it. If later my feelings change, I should celebrate now by being more wise, not feel bad about before.
When it comes to partisan politics, everyone is a hypocrite. And all they care about is whether it hurts or helps them ... Is it good or bad for the Democrats? Is it good or bad for the Republicans? Is it good or bad for Jews, or good or bad for blacks, or is it good or bad for women? Is it good or bad for men? Is it good or bad for gays? That's the way people think about issues today. There is very little discussion of enduring principles.
People are drawn to watching things that are dramatic. And the tighter a relationship is, the more dramatic it can be. That's something family lends itself to. Everybody has family, somewhere, somehow. Those relationships are always very complex. This takes it to almost Greek-tragedy-level heights. That's fun to watch, although it's very uncomfortable. It explores the darkest sense of family.
I was shy when I was a kid, I was very shy, but now I think I've improved a lot. I can speak OK with the media and with the people. My English is still bad but I feel a little bit better now than before.
People are now looking at the world in terms of axis of evil and evil-doers and by logical extension good-doers, and that's a very polarised look at good and bad people. Reality is much more complex than that and people can be good and evil on the very same day.
I've learned that many of the worst things lead to the best things, that no great thing is achieved without a couple of bad, bad things on the way to them, and that the bad things that happen to you bring, in some cases, the good things.
All change brings bad things and good things to replace the bad and good things that were before. It is natural to look back and say it was better before—but that does not make it true. Different is not worse. It is just different.
I know having a Jason Bourne all alone in a field firing at bad guys is much more dramatic, but it's not real.
Human problems are complex. If something isn't complex it doesn't qualify as problematic. Very simple bad things are not worth troubling ourselves about.
There are hundreds of manufacturers always producing dvices that in general do the same things. Since they have slight structural differences if you take one and fool around with it and give it a good kick it will actually do something that it wasn't designed to do. I have this relationship with my synthesizers. I've had them for so long, and I've never had them serviced, so that now practically all of their functions operate differently from what they were designed to do. They do very interesting things now, but that means nobody else can use them either.
When we're good, we're very, very good, and when we're bad, we're horrid. This is not news, because we're so much more inventive and we have two hands, the left and the right. That is how we think. It's all over our literature, and it's all over the way we arrange archetypes, the good version, the bad version, the god, the devil, the Abel, the Cain, you name it. We arrange things in pairs like that because we know about ourselves.
It is a curious fact that in bad days we can very vividly recall the good time that is now no more; but that in good days, we have only a very cold and imperfect memory of the bad.
I actually had someone say to me, 'Lynn, you're going to have very good days, and you're going to have very bad days. But It's rare that things are as good as they look, and it's rare that things are as bad as they seem.' So having perspective, and challenging perspective, is important to making good decisions.
I purposefully try to make films in that grey area, where things are morally ambiguous. It's like life: good people do horrible things, and bad people do good things, and there's beauty in horror and horror in beauty.
I'm not good for you. I don't know why you make me want you so bad. I was angry with myself when I said all that earlier. I was mad because I wanted you in a way I'd never experienced before. Before you, I just wanted to excel in football and school. I wanted my parents to be proud of me. But now, I want other things too. You get to me in a way I don't understand
So many bad things have happened to them that they can't trust the good things. They have to shove them away before someone can get it back.
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