A Quote by Isadora Duncan

I finally discovered the source of all movement, the unity from which all diversities of movement are born. — © Isadora Duncan
I finally discovered the source of all movement, the unity from which all diversities of movement are born.
In less than a century we experienced great movement. The youth movement! The labor movement! The civil rights movement! The peace movement! The solidarity movement! The women's movement! The disability movement! The disarmament movement! The gay rights movement! The environmental movement! Movement! Transformation! Is there any reason to believe we are done?
No longer conscious of my movement, I discovered a new unity with nature. I had found a new source of power and beauty, a source I never dreamt existed.
Feminism is a revolutionary movement which is different from the class struggle movement, the proletarian movement, but which is a movement which must be leftist. By that I mean at the extreme left, a movement working to overthrow the whole society.
The pictorial work was born of movement, is itself recorded movement, and is assimilated through movement (eye muscles).
All soul is immortal. For that which is always in movement is immortal; that which moves something else, and is moved by something else, in ceasing from movement ceases from living. So only that which moves itself, because it does not abandon itself, never stops moving. But it is also source and first principle of movement for the other things which move.
Behind the visible movement there is another movement, one which cannot be seen, which is very strong, on which the outer movement depends. If this inner movement were not so strong, the outer one would not have any action.
I never imagined that the Free Software Movement would spawn a watered-down alternative, the Open Source Movement, which would become so well-known that people would ask me questions about "open source" thinking that I work under that banner.
I go to places and I see all these people working on peace education and on a culture of nonviolence and non-killing. You look at all these different movements going on: the environment movement, the interfaith movement, the human rights movement, the youth movement, and the arts movement.
There is movement and movement. There are movements of small tension and movements of great tension and there is also a movement which our eyes cannot catch although it can be felt. In art this state is called dynamic movement.
A movement that we will to execute is never more than a represented movement, and appears in a different domain from that of the executed movement, which always takes place when the image is vivid enough.
I begin with movement... I believe that all human visual experiences are born from movement..
My elections are really not about campaigns. I tell my people that these are about a movement. And a movement to do what? To restore common sense. A movement to do things like provide economic growth. And a movement not to let anybody be behind.
Movies are movement. A comic-book is immobility. From one still picture to another, but no movement. You need to make the movement in your head. In the movies, you see the movement. It's different. What is the same is the mind of the creator.
It is not the natural movement of film that gives the objects their expression, but the artistic movement, that is to say, a rhythmical movement regulated by itself in which variations and pulsations form a part of the artistic design.
Nothing frightens the 'Jews' more than a perfect unity in others: the unity of feeling in a movement, in a people. That is why they will always be for 'democracy' which has but one advantage, and that one for the nation's enemy. For democracy will break up the unity and spirit of a people.
Animation is about timing; movement or lack of movement, often in time with music. These are the tools which make it's visual gags work, or not. Again, comics don't have those tools, so you have to find some sort of parallel to create something that suggests a close approximation of the source material, but without the ability to truly replicate it.
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