A Quote by Isadora Duncan

All my life I have struggled to make one authentic gesture. — © Isadora Duncan
All my life I have struggled to make one authentic gesture.
I would vote for the man who's lived life, who's done different occupations, who's been out in the real world and struggled to make a living, struggled to raise a family, struggled with life as it exists. So I'd vote for experience, honest experience.
For one thing, I want gesture-any kind of gesture, all kinds of gesture-gentle or brutal, joyous or tragic; the gesture of space soaring, sinking, streaming, whirling; the gestures of light flowing or spurting through color. I see everything as possessing or possessed by gesture. I've often thought of my paintings as having an axis around which everything revolves.
If you have an idea, you have to move on it, to make a gesture. Drawing is an immediate way of articulating that idea - of making a gesture that is both physical and intellectual.
Either something is authentic or it is unauthentic, it is either false or true, make-believe or spontaneous life; yet here we are faced with a prevaricated truth and an authentic fake, hence a thing that is at once the truth and a lie.
The easiest way to make television authentic is to make it really authentic.
I actually started to think a lot about the difference between a creative gesture and a noncreative gesture. I decided that all gestures were creative. Because you always have to make a decision at some point.
I am a director and I think actually they're not that different - dramas and docs aren't that different. When I'm doing a drama I'm trying to make things feel as believable and real as possible. The hair, the make-up, the costume, the design, you're trying to make it authentic. And when you've got a documentary it's all authentic, so what story are you going to tell and how do you make it dramatic and exciting? It's the same thing.
My work is not so overtly about movement. My horses' gestures are really quite quiet, because real horses move so much better than I could pretend to make things move. For the pieces I make, the gesture is really more within the body, it's like an internalized gesture, which is more about the content, the state of mind or of being at a given instant. And so it's more like a painting...the gesture and the movement is all pretty much contained within the body.
We are not long-term beings. Not heroes of romances in many volumes. For one gesture, for one word alone, we shall make the effort. We openly admit: our creations will be temporary. We shall have this as our aim: a gesture.
I don't think some athletes understand how big it is to be an athlete, what they can do with just a simple gesture of shaking a kid's hand. It can make a fan's day. It can make a fan's life.
I have struggled to be taken seriously as a female athlete. I have struggled to find my worth outside of winning. I have struggled to accept parts of myself. Now I'm recognizing the beauty in those parts as well as beauty in the times when things didn't go my way.
Light gesture and color of the key compliments of any photograph. Light and color are obvious, but it is just her that is the most important. There is gesture in everything. It's up to you to find a gesture that is most telling.
I have made mistakes, but I didn't make them again. Even when I struggled, I promised myself never to submit in life.
I want to be silly, and that's being authentic just as much as being open and honest. It's authentic to make weird clown horn noises when it strikes you.
There's so many parts of my life that I've struggled with - that so many millions of others struggled with - about being an outsider, about feeling ugly, about having to overcome looking different to other people.
Every important cultural gesture comes down to a morality, a model for human behavior concentrated into a gesture.
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