A Quote by Isak Dinesen

It is not a bad thing in a tale that you understand only half of it. — © Isak Dinesen
It is not a bad thing in a tale that you understand only half of it.
Tale-bearers are as bad as the tale-makers.
We are all full of discourses that we only half understand and half mean.
The artist usually sets out -- or used to -- to point a moral and adorn a tale. The tale, however, points the other way, as a rule. Two blankly opposing morals, the artist's and the tale's. Never trust the artist. Trust the tale. The proper functions of a critic is to save the tale from the artist who created it.
The single-payer Medicare for All proposal is not only bad policy, but it's bad politics. It's bad politics for a very simple reason: More than half the country has private insurance and most of them like it.
It is well sometimes to half understand a poem in the same manner that we half understand the world.
Living out one's faith is either no way to live or the only way to live; it's either imprisonment, or the only path to freedom. It offers happiness, or it frustrates the pursuit. There is no half-love, half-religion, half-worship, half-belief, half-truth. There is no kinda-sorta.
This was not a fairy-tale castle and there was no such thing as a fairy-tale ending, but sometimes you could threaten to kick the handsome prince in the ham-and-eggs.
Occasionally if I look back at something I've written I'll find one of those that I don't understand, but that's a bad thing - the unconscious has dealt me a bad hand.
Every man needs a blind eye and a deaf ear, so when people applaud, you'll only hear half of it, and when people salute, you'll only see part of it. Believe only half the praise and half the criticism.
And I saw then and there you take a man half-bad and a women half-bad and put their two good halves together and you got one human all good to share between.
The old tale of Sleeping Beauty might end happily in French or English, but he was in Russia, and only a fool would want to live through the Russian version of any fairy tale.
The delight we experience when we allow ourselves to respond to a fairy tale, the enchantment we feel, comes not from the psychological meaning of the tale (although this contributes to it) but from its literary qualities-the tale itself as a work of art.
I remember when I first came out, it was like half and half, half the female fighters were like, 'I understand why she did it, and I'll fight her,' and half said I shouldn't be in the cage and said horrible, horrific transphobic comments about me.
My dad was always interested in characters he didn't understand - he was such a great bad guy in movies. And that is really the thing that calls me to the material often: something I struggle to understand in human behaviour.
Having a good relationship with Russia is a good thing, not a bad thing. Only stupid people or fools would think it was bad.
If a man could understand all the horror of the lives of ordinary people who are turning around in a circle of insignificant interests and insignificant aims, if he could understand what they are losing, he would understand that there can only be one thing that is serious for him - to escape from the general law, to be free. What can be serious for a man in prison who is condemned to death? Only one thing: How to save himself, how to escape: nothing else is serious.
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