A Quote by Isamu Noguchi

When the time came for me to work with larger spaces, I conceived them as gardens, not as sites with objects but as relationships to a whole. — © Isamu Noguchi
When the time came for me to work with larger spaces, I conceived them as gardens, not as sites with objects but as relationships to a whole.
The whole arrangement of my picture is expressive. The place occupied by the figures or objects, the empty spaces around them, the proportions, everything plays a part.
In the autumn I gathered all my sorrows and buried them in my garden. And when April returned and spring came to wed the earth, there grew in my garden beautiful flowers unlike all other flowers. And my neighbors came to behold them, and they all said to me, "When autumn comes again, at seeding time, will you not give us of the seeds of these flowers that we may have them in our gardens?"
I look at the textures, surfaces, colors, and the individual objects in the painting. And then I wonder: what are the relationships among them? Those relationships are everything.
Increasingly we're seeing these ultra-partisan sites getting larger and larger readerships because people are self-selecting themselves into communities.
No matter where you are you can grow something to eat. Shift your thinking and you'd be surprised at the places your food can be grown! Window sill, fire escape and rooftop gardens have the same potential to provide impressive harvests as backyard gardens, greenhouses and community spaces.
When you're younger, you feel like work is work and relationships are supposed to be easy. As you get older, you realize you have to work at relationships to make them sustainable.
Users spend most of their time on other sites. This means that users prefer your site to work the same way as all the other sites they already know.
And marking off time struck me as something like counting empty spaces—spaces you know can't ever be filled.
My favorite thing is landscaping. I love landscaping. And so what I'll do is, mostly I put language into search engines, and if I want to look, like, at tulip gardens, or, like, Georgian gardens, i love English gardens, how they're laid out. Japanese gardens, Asian gardens. So, I'm kind of a frustrated landscaper.
Mathematical objects are determined by - and understood by - the network of relationships they enjoy with all the other objects of their species.
I think deerskin work gloves are the answer to everything. You can give them to someone who gardens or someone who works outside. And you can give them to someone who grills; they're great for grilling. I wear them all the time, 24/7.
The gardens I love best are those that are still affectionately tended by the people who own them and who made them - who planned and planted and replanned and replanted them, who dug in the dirt and moved hoses and watched the gardens change with the cycle of the seasons and over the passage of years.
Everybody has to go through a struggle period, and I was no different. When I came to Mumbai from Delhi, I didn't know anybody, and all my relationships had to be built up from scratch, including my work relationships.
That's exactly why nature always trumps gardens. Gardens are just reality pruned of chaos. What doesn't work you rip out.
The poet Marianne Moore famously wrote of 'real toads in imaginary gardens,' and the labyrinth offers us the possibility of being real creatures in symbolic space...In such spaces as the labyrinth we cross over [between real and imaginary spaces]; we are really travelling, even if the destination is only symbolic.
I'm not a pop artist. For me pop never was.... Pop is concerned with exteriors. I'm concerned with interiors. When I use objects, I see them as a vocabulary of feelings. I can spend a lot of time with objects, and they leave me as satisfied as a good meal. I don't think pop artists feel that way.
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