A Quote by Isamu Noguchi
The attractions of ceramics lie partly in its contradictions. It is both difficult and easy, with an element beyond our control. It is both extremely fragile and durable. Like 'Sumi' ink painting, it does not lend itself to erasures and indecision.
Related Quotes
Today the human race is a single twig on the tree of life, a single species on a single planet. Our condition can thus only be described as extremely fragile, endangered by forces of nature currently beyond our control, our own mistakes, and other branches of the wildly blossoming tree itself. Looked at this way, we can then pose the question of the future of humanity on Earth, in the solar system, and in the galaxy from the standpoint of both evolutionary biology and human nature. The conclusion is straightforward: Our choice is to grow, branch, spread and develop, or stagnate and die.
Guitar playing is both extremely easy for me and extremely difficult for me at the same time.
Photography is a medium of formidable contradictions. It is both ridiculously easy and almost impossibly difficult. It is easy because its technical rudiments can readily be mastered by anyonwith a few simple instructions. It is difficult because, while while the artist working in any other medium begins with a blank surface and gradually brings his conception into being, the photographer is the only imagemaker who begins with the picture completed. His emotions, his knowledge, and his native talent are brought into focus and fixed beyond recall the moment the shutter of his camera has closed.
It really does feel, partly because of graphic novels kids read, like there's a lot of freedom with how you can use both images and words, because we think in both of those ways.
Something about the way she moves through the world does not lend itself to the care of fragile objects.
We all have ideas about love and death. We keep a close eye out for them our entire lives, seeking one and avoiding the other, knowing all the while that both are mostly beyond our control. It is a both scary and exciting predicament. In the end, it all depends on how you look at it. One thing is for sure; it is never quite what you expect.
Between France and Senegal there's a history. There's a language that we both speak. There's a culture that we share and to which both of our peoples have contributed. But beyond our history, beyond our language, beyond the links that have united us for so long, what unites us today is the future.
We are a compound of both here and hereafter; we shall be made responsible for the actions of both while here. Anything beyond this is beyond our power to prove, and would be of no real value if we could.
Unless you recognize the contradictions within various strata, you fall prey to a really kind of false homogenization that does not do justice to the way in which those contradictions can be both understood and is sometimes actually used to the benefit of people who need them.
It's not easy, especially in our politically polarized world, to recognize both the structural and the cultural barriers that so many poor kids face. But I think that if you don't recognize both, you risk being heartless or condescending, and often both.
Freedom is the only worthy goal in life. It is won by disregarding things that lie beyond our control. Stop aspiring to be anyone other than your own best self: for that does fall within your control.
Zen, on the other hand, is not so dogmatically sterile, though there are certainly traces and more than traces of this austerity. However, with Zen we have not only the void, but the fertile void. The ink lines in a sumi-e painting show this fertility of the void ever ready to brim over into existence.
Painting doesn't have a function, not in the way that music or film does... I mean, you can dance to music. Music can be used for a soundtrack, so it has a function in that sense, beyond itself. But painting doesn't... But I do believe that painting has a purpose.
The constellation of opinion called the blogosphere consists, like the stars themselves, partly of gases. This is what makes blogs addictive - that is, both pleasurable and destructive: They're so easy to consume and so endlessly available.
[Ending] is partly drawn from a desire to shock the audience, to brutally de-romanticize what many Americans think is happening overseas. And partly drawn from my own childhood: violence and a loss of innocence. But keep in mind that, as a writer, I'm both the criminal and the victim. I'm not trying to get out of anything easy.
Painting can be like poetry but as somebody who creates both I feel the necessity for both so they cant be that similar. Sometimes I think it's as basic as not wanting to get dirty.
Related Authors
Ai Weiwei Quotes
Chinese
Artist
Andy Warhol Quotes
American
Artist
Claude Monet Quotes
French
Artist
David Hockney Quotes
English
Artist
Gerhard Richter Quotes
German
Artist
Henri Matisse Quotes
French
Artist
Kehinde Wiley Quotes
American
Artist
Leonardo da Vinci Quotes
Italian
Artist
Marcel Duchamp Quotes
French
Artist
Marina Abramovic Quotes
Serbian
Artist
Maurice Sendak Quotes
American
Artist
Michelangelo Quotes
Italian
Artist
Paul Cezanne Quotes
French
Artist
Robert Genn Quotes
Canadian
Artist
Robert Henri Quotes
American
Artist
Yoko Ono Quotes
American
Artist