A Quote by Ishaan Khatter

'Sairat' is such a consuming movie, so I was stuck into its story. It has such a poignant end that I was quite moved by it. — © Ishaan Khatter
'Sairat' is such a consuming movie, so I was stuck into its story. It has such a poignant end that I was quite moved by it.
'Sairat' is a film I absolutely loved. I have great regard for the movie and its film-maker. The movie blew my mind.
What we set out to do with this movie [Leaves of Grass] was to create something that was funny and serious and had large tonal ambitions. A movie that could be poignant and funny, and suddenly quite violent. To have a character utterly sideswiped, and to learn that life is about balance.
I decided to remake 'Sairat' and contacted Nitin Keni of Zee Studios with a plan to remake the movie in all south Indian languages.
I'm quite adept at writing two or sometimes even three stories at once. So if I get stuck on one story, I switch the next and let my subconscious work on unraveling any plot problems from another story.
I do not think that you can be changing the end of a song or a story like that, as though it were quite separate from the rest. I think the end of a story is part of it from the beginning.
When we moved from 'Ice Age' to 'Ice Age 2,' we were really stuck; a story didn't just organically emerge. While I'm very proud of 'Ice Age 2,' from a storytelling sense, it's a very thin story.
I'm not sure if my story will become a movie. Some of my western friends sent my story to people they know in the movie industry. But one consistent response was there aren't any main western characters in my story, so it's unlikely to be made into a movie in English.
I quite fancy having a hover car, but I don't fancy everyone having one. Because I feel like I spend quite a lot of time stuck in traffic on the 405 but if everybody had one then they'd be scared and we'd crash, but if it was just me, then I think I would zoom home quite fast. I also quite fancy a phone attached to my hand but then I don't know if I fancy it being stuck to my body.
If you watched a movie about a guy who wanted a Volvo and worked for years to get it, you wouldn’t cry at the end when he drove off the lot, testing the windshield wipers. You wouldn’t tell your friends you saw a beautiful movie or go home and put a record on to think about the story you’d seen. The truth is, you wouldn’t remember that movie a week later, except you’d feel robbed and want your money back. Nobody cries at the end of a movie about a guy who wants a Volvo.
The further you go, what, I'm gonna wait til I'm 80? Naw, I'm tellin' my story now. I was just moved. I was moved to tell my story. You know? People write books all the time.
In the end, the railroads made America and nanotech will make the 21st century, and that is the end of the story. The beginning of the story and the end of the story.
People are moved by my story, but they're only moved by my story because of what I do on the court.
I never start a section of the story without knowing how it will end. I also consciously try to shape the story as though it were a movie.
Everything is stuck together. People are stuck together. They can't change. Ideas are stuck together - they're irrevocable. We think that the end of the universe is as far as the telescope can see.
My 'Pearl Harbor' story is that I've never seen it, and I suspect that I was cut completely from the movie, but my name is fairly high in the credits at the end. So, anybody that's ever said that they saw me in Pearl Harbor, I think they just saw the list of credits at the end of the movie.
It's so odd because I don't even know if I'm cut out for it, but being a movie star guy, I sort of end up gravitating toward the Coen brothers. That's one of the reasons my wife and I moved to L.A.: that however much of a pipe dream that would be, I moved to L.A. because I'd love to work with the Coen brothers.
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