A Quote by Ishaan Khatter

Language is something that I take great interest in. — © Ishaan Khatter
Language is something that I take great interest in.
He who can take no interest in what is small will take false interest in what is great.
The human interest, and the natural interest, and the spiritual interest of this planet need to begin to take a priority over the corporate interest, the military interest, and the materialistic interests.
I will just take the chance that the language will still be relevant in 100 years, which is something we cannot take for granted with a language that is spoken by 330,000 people.
I'm not looking for images, They just appear and take on an interest. Sometimes you look at a thing and it has no interest and then you see it in a different way and it has another meaning. Or something that was of no use will become useful.
You can have a great script, and it can be a great show, but for whatever reason, it just doesn't take the public's interest.
There is something false in this search for a purely feminine writing style. Language, such as it is, is inherited from a masculine society, and it contains many male prejudices. We must rid language of all that. Still, a language is not something created artificially; the proletariat can't use a different language from the bourgeoisie, even if they use it differently, even if from time to time they invent something, technical words or even a kind of worker's slang, which can be very beautiful and very rich. Women can do that as well, enrich their language, clean it up.
My interest in language is steadfast, but I think each project and its accompanying intentions dictate how language must be used.
We take a natural interest in novelties, but it is against nature to take an interest in familiar things.
I don't know the rules of grammar... If you're trying to persuade people to do something, or buy something, it seems to me you should use their language, the language they use every day, the language in which they think. We try to write in the vernacular.
I do not use the language of my people. I can take liberties with certain themes which the Arabic language would not allow me to take.
One of the surest tests of the superiority or inferiority of a poet is the way in which a poet borrows. Immature poets imitate mature poets steal bad poets deface what they take and good poets make it into something better or at least something different. The good poet welds his theft into a whole of feeling which is unique utterly different than that from which it is torn the bad poet throws it into something which has no cohesion. A good poet will usually borrow from authors remote in time or alien in language or diverse in interest.
It definitely sharpened my interest in language, the way people used language, slang words, speech patterns. There's a big advantage to being the outsider.
I wish I could take language And fold it like cool, moist rags. I would lay words on your forehead. I would wrap words on your wrists. 'There, there,' my words would say - Or something better. I would ask them to murmur, 'Hush' and 'Shh, shhh, it's all right.' I would ask them to hold you all night. I wish I could take language And daub and soothe and cool Where fever blisters and burns, Where fever turns yourself against you. I wish I could take language And heal the words that were the wounds You have no names for.
Uncle Dave Macon was a great balladeer and banjo player from the early part of the 19th century... He would take a social problem or something that he was looking at and make up a clever little song about it, you know, in a language everyone understood, a man of the people.
It is always great when people take interest in your work.
As a fan of skiing and surfing, I take great interest in Olympics.
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