A Quote by Ishita Dutta
I so wish to work with Sanjay Leela Bhansali because his creativity is of a different level. His vision, his style of storytelling, art and music... Everything mesmerizes me.
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I always wanted to work with Sanjay Leela Bhansali because the dance and music in his films are so beautiful. When I got a call from him, I was on cloud nine!
I heard that Sanjay Leela Bhansali has an eye for detail, and it shows in his work, but seeing it firsthand is a powerful experience.
The fact that Sanjay Leela Bhansali wanted me to be part of his film was a high point in my life.
I don't know about the public and the industry, but I am an all-time Sanjay Leela Bhansali fan. His cinema is completely stylized and commercial and yet hugely experimental.
And I had never thought I'd get to work with a Sanjay Leela Bhansali. He is the master of period films. He makes everything with so much love.
Even the song that I did for Sanjay Leela Bhansali's 'Gabbar' is an old number. But working with Mr Bhansali was a dream come true.
I heard a lot of very good things about Sanjay Leela Bhansali from my mother when she worked with him in Devdas. I also love the films that he makes so I was very excited when I was offered 'Ram-Leela.'
I love the kind of films Sanjay Leela Bhansali makes.
I would love to choreograph a song for Sanjay Leela Bhansali... that's my dream.
I'm really pleased with the way my career is shaping up. How many actresses get a chance to work with legends like Mani Ratnam and Sanjay Leela Bhansali?
The master in the art of living makes little distinction between his work and his play, his labor and his leisure, his mind and his body, his information and his recreation, his love and his religion. He hardly knows which is which. He simply pursues his vision of excellence at whatever he does, leaving others to decide whether he is working or playing. To him he's always doing both.
When I look at makers like Rajkumar Hirani, Aditya, Karan Johar, Sanjay Leela Bhansali and Vishal Bhardwaj, I get inspired.
I am blessed that I have worked with great filmmakers and, in that process, I have learned a lot. Be it Sanjay Leela Bhansali, Ali Abbas Zafar, Ashim Ahluwalia or Nagesh Kukunoor, they have all taught me something new.
'Agnivarsha' is not a costume drama like Shashi Kapoor's 'Utsav' or Sanjay Leela Bhansali's 'Devdas.' This one has no elaborate jewellery and clothes. It is sparse and stark.
I was really touched when I reached the sets of 'Padmaavat' and I greeted Sanjay Leela Bhansali. He hugged me, held my hand high and told everyone, 'Razasaab is with us again. I cannot think of a film without Razasaab!' That was such a big compliment for me.
When I was working on 'To Pimp A Butterfly' and 'DAMN.,' I'm really making music for Kendrick. It's a different mindset than when I'm making music for me. I'm trying to get into his head and figure out what he wants because it's his vision. That's what I expect from people when they're playing on my records.
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